Recalling community: Using material culture and digital archives in Salford
Main Article Content
Abstract
The project is based on a PhD study undertaken by the author at The District Six Museum in Cape Town, South Africa, which examined the use of material artefacts in exhibitions and memory workshops at that museum (Cassidy 2009). Like District Six, Salford has undergone wide-scale demolition and population dispersal over the past 40 years.
What began as relatively simple installations in museums, libraries and the like, has now grown to include digitised versions of the family snaps, street signs and oral histories, as a developing online Streets Museum archive (www.streetsmuseum.co.uk). This article reflects on how the methodology employed in the Retracing Salford project has helped rejuvenate and reconnect these dispersed communities. The article argues that the approach used is succeeding in widening the circle of participation and debate in relation to heritage issues, in particular the absence of commemoration of working-class community culture in the city. It has also increased awareness of urban land clearance issues. Its continued success depends on numerous factors, such as developing new strategies of engagement with the community, regularly gaining publicity and organising new exhibitions and workshops.
Keywords: Material culture, community participation, urban working class history
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who submit articles to this journal from 31st March 2014 for publication, agree to the following terms:
a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.
b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Open Access Citation Advantage Service). Where authors include such a work in an institutional repository or on their website (ie. a copy of a work which has been published in a UTS ePRESS journal, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the UTS ePRESS publication including the name of the journal, the volume number and a web-link to the journal item.
d) Authors should be aware that the Creative Commons Attribution (CC-BY) License permits readers to share (copy and redistribute the work in any medium or format) and adapt (remix, transform, and build upon the work) for any purpose, even commercially, provided they also give appropriate credit to the work, provide a link to the license, and indicate if changes were made. They may do these things in any reasonable manner, but not in any way that suggests you or your publisher endorses their use.
For Volume 6 (2013) and before, the following copyright applied:
Articles published by UTSePress are protected by copyright which is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. UTSePress publications are copyright and all rights are reserved worldwide. Downloads of specific portions of them are permitted for personal use only, not for commercial use or resale. Permissions to reprint or use any materials should be directed to UTSePress.