Accords et correspondances dans L’ombre douce et Sous le ciel qui brûle
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Abstract
L’ombre douce (Viviane Hamy, 2013) et Sous le ciel qui brûle (Viviane Hamy, 2017) évoquent l’histoire de la France et du Vietnam entre le début du XXème siècle et les années 1970, en explorant les relations entre le passé et le présent, la guerre et la paix, l’harmonie et la dysharmonie. Ces romans sont à la recherche d’un accord poétique et d’une relation de correspondances, non seulement entre l’imaginaire occidental et l’imaginaire extrême-oriental, mais encore entre les mots et les choses – recherche qui se trouve au fondement de la vocation poétique de Tuân, le héros de Sous le ciel qui brûle.
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