Exhibiting Loss and Salvaging the Everyday: Photography, Objects and the Missing

Martine Hawkes

doi:10.5130/csr.v20i2.4054

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Published: Aug 7, 2014

DOI: https://doi.org/10.5130/csr.v20i2.4054

Keywords:

Photography, genocide, postmortem, ICRC, Nick Danziger

Martine Hawkes

Abstract

By the end of the conflict in the former Yugoslavia in the 1990s an estimated 22,438 people were unaccounted for. Their whereabouts were unknown or their remains were missing. The clarification of the fate of the missing is a fundamental component of transitional justice processes. Taking as its focus two photographic projects—one with forensic identification purposes and the other with a memorialisation focus—this article explores the juridical and memorialisation contexts in which these photographs circulate, asking how photographs might be, on the one hand, practical tools for the identification of remains, but also, at the same time, act as visual vehicles for raising awareness and action around the broader justice questions concerning the clarification of the fate of the missing.

Issue

Vol. 20 No. 2 (2014): Locating Memory

Section

Locating Memory (Peer Reviewed)

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