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In this discussion I first outline material intersections of bodies and everyday objects that script habitual choreographies as affective extensions of the body. I then consider the dynamism of the shifts between habitual consciousness and non-consciousness as a site of agentive, embodied transformation within contexts of movement, multiples and sensory experience. I engage willfulness, stickiness, clumsiness and apparatuses of sensory notation as potential techniques for transforming consciousness and non-consciousness in habitual action. Finally, I invite readers to recreate the sensory dimensions of their own habitual experience by experimenting with some 'do it yourself ' exercises.
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