Puisi Selatan
Main Article Content
Abstract
Puisi selatan is a small selection of Sydney poet Ian Campbell’s Indonesian language poems taken from the author’s larger collection titled Selatan-Sur-South of Indonesian language poems - which appeared in PORTAL in 2008 - but now supplemented, for the first time, with English language versions which have been rendered by the poet himself from the ‘starting point’ of these original four Indonesian language poems.
In all there are here now eight poems – four in Indonesian and four in English – with the common thread, for the poet, of being written ‘in the south’. For the poet also, they now interact, across languages, as a set of poems which consider the ways in which the actions of ‘memorialising’ are often intertwined with specific responses to the natural environment.
The poems ‘Semenanjung Bilgola’ and ‘Bilgola headland’ are poems reflecting upon the efforts the poet’s parents made in the late 1960s-early 1970s to restore the natural environment on a headland of one of Sydney’s northern beaches which had been donated to the National Trust. The Indonesian language original poem was read by the poet himself and by Indonesian poets in cities in West Java in 2004 and also at the first Ubud Writers Festival in 2004 by Indonesian female poet, Toeti Heraty,
The poems ‘Berziarah di Punta de Lobos, Chile’ and ‘Pilgrimage to Punta de Lobos’ are also memorialising poems and reflect upon the idea of ’pilgimage’ to a natural location near Pichilemu on the Chilean coast which is popular with surfers. In contrast, the poems ‘Simfoni angin’ and ‘Symphony of the winds’ describe the sights and sounds of a rural area near Purranque in the south of Chile, but here too the poet reflects upon the ways in which present evokes past.
The final poems ‘Buenos Aires’ - rendered as the title in both languages - explore the ways in which the Argentinian café becomes a place in which memories of the city are revealed anew through the processes of inversion of light and shadow, of internal and external shapes and sounds, as if through a camera lens.
Puisi selatan can be rendered in English as ‘poetry of the south’ as all poems derive their impetus from settings in Australia or in Latin America, specifically either Chile or Argentina. They were originally written in Indonesian as part of the poet’s interest in using Bahasa Indonesia as a language of creative writing.
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
For submissions from 31st March 2014 onwards, authors who submit articles to this journal for publication agree to the following terms:
a) Retaining Copyright and Granting Rights:
Authors retain copyright and grant the journal the right of first publication. The work is simultaneously licensed under a Creative Commons Attribution License, allowing others to share and adapt the work. Acknowledgment of the work's authorship and initial publication in this journal is required.
b) Non-Exclusive Distribution:
Authors may enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., posting to an institutional repository or publishing in a book). Acknowledgment of its initial publication in this journal is required.
c) Online Posting and Citation Advantage:
Authors are encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process. This may lead to productive exchanges and earlier and greater citation of the published work (See The Open Access Citation Advantage Service). If authors include the work in an institutional repository or on their website, they must acknowledge the UTS ePRESS publication with relevant details.
d) Creative Commons Attribution (CC-BY) License Awareness:
Authors should note that the CC-BY License permits readers to share (copy and redistribute) and adapt (remix, transform, build upon) the work for any purpose, including commercial use. Proper credit, a link to the license, and indication of any changes made must be provided. The manner of doing so must not suggest endorsement by you or your publisher.
For Volume 10 No 2 (2013) and earlier, the following copyright applied:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish the manuscript in a specific issue.
Articles published by UTSePress are protected by copyright, with rights retained by the authors, who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. All rights are reserved worldwide by UTSePress, and downloads of specific portions are permitted for personal use only, not commercial use or resale.
For reprint or usage permissions, please direct inquiries to UTSePress via the journal's main editor, Dr. Nicholas Manganas at [portal.scholarly.journal@gmail.com]. Reprint permission requires acknowledgment of both UTSePress and PORTAL in the format advised by the journal editor.