Main Article Content
Con conceptos tales como Guardia Vieja (1895-1924) y Guardia Nueva (1925-1954), Vanguardia (1955-1969) y Período Contemporáneo (1970-1988), los estudiosos Horacio Ferrer y Oscar del Priore (1999) han periodizado la evolución histórica del Tango. Dejando intactos los tres primeros períodos, se propone una denominación alternativa a ese ‘Período Contemporáneo’. Este artículo propone el concepto de Nueva Guarida, donde se aglutinarían las nuevas subjetividades, identidades y mediaciones que asume el fenómeno cultural emblemático de lo argentino – el Tango-, al entrelazarse con la poética del rock nacional. También se estudia el impacto en la resemiotización del Tango en medios de comunicación masivos como las radios FM y la televisión actual.
With concepts such as the Old Guard (1895-1924) and New Guard (1925-1954), the Vanguard (1955-1969) and the Contemporary Period (1970-1988), the attentive Horacio Ferrer and Oscar del Priore (1999) have periodized the historical evolution of the Tango. Leaving aside the first three periods, I propose the need for an alternative denomination to the 'Contemporary Period.' Accordingly this article contributes the concept of the 'Nueva Guarida' (literally the new lair), which refers to that place in which meet new subjectivities, identities and mediations that themselves emblemitize the cultural phenomenon of 'Argentina-ness' – the Tango- as it becomes enmeshed with the poetics of the nation's 'rock' music. This study also examines the impact on the resemioticization of the Tango in such mass communication media as FM radio and contemporary television.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who submit articles to this journal from 31st March 2014 for publication, agree to the following terms:
a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.
b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Open Access Citation Advantage Service). Where authors include such a work in an institutional repository or on their website (ie. a copy of a work which has been published in a UTS ePRESS journal, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the UTS ePRESS publication including the name of the journal, the volume number and a web-link to the journal item.
d) Authors should be aware that the Creative Commons Attribution (CC-BY) License permits readers to share (copy and redistribute the work in any medium or format) and adapt (remix, transform, and build upon the work) for any purpose, even commercially, provided they also give appropriate credit to the work, provide a link to the license, and indicate if changes were made. They may do these things in any reasonable manner, but not in any way that suggests you or your publisher endorses their use.
For Volume 10 No 2 (2013) and before, the following copyright applied:
Authors submitting a paper to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Articles published by UTSePress are protected by copyright which is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. UTSePress publications are copyright and all rights are reserved worldwide. Downloads of specific portions of them are permitted for personal use only, not for commercial use or resale. Permissions to reprint or use any materials should be directed to UTSePress via the journal's main editor, Dr Paul Allatson [email@example.com]. It is a condition of reprint permission that both UTSePress and PORTAL are acknowledged in the format advised by the journal editor.