Bollywood Dreams? The Rise of the Asian Mela as a Global Cultural Phenomenon
Main Article Content
Abstract
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who submit articles to this journal from 31st March 2014 for publication, agree to the following terms:
a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.
b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Open Access Citation Advantage Service). Where authors include such a work in an institutional repository or on their website (ie. a copy of a work which has been published in a UTS ePRESS journal, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the UTS ePRESS publication including the name of the journal, the volume number and a web-link to the journal item.
d) Authors should be aware that the Creative Commons Attribution (CC-BY) License permits readers to share (copy and redistribute the work in any medium or format) and adapt (remix, transform, and build upon the work) for any purpose, even commercially, provided they also give appropriate credit to the work, provide a link to the license, and indicate if changes were made. They may do these things in any reasonable manner, but not in any way that suggests you or your publisher endorses their use.
For Vol 20 (2013) and before, the following copyright applied:
Authors submitting articles to UTSePress publications agree to assign a limited license to UTSePress if and when the manuscript is accepted for publication. This license allows UTSePress to publish a manuscript in a given issue. Articles published by UTSePress are protected by copyright which is retained by the authors who assert their moral rights. Authors control translation and reproduction rights to their works published by UTSePress. UTSePress publications are copyright and all rights are reserved worldwide. Downloads of specific portions of them are permitted for personal use only, not for commercial use or resale. Permissions to reprint or use any materials should be directed to UTSePress.
References
ALLEYNE-DETTMERS, P. T. 1996. Carnival: the Historical Legacy, London, Arts Council of England.
ANDERSON, B. 1992. Imagined Communities: Reflections on the Origins and Spread of Nationalism, London, Verso.
BACK, L. 1996. New Ethnicities and Urban Culture: racisms and multiculture in young lives, London, UCL Press.
BAUMAN, Z. 2000. Community: Seeking Safety in an Insecure World, London, Polity.
BAUMAN, Z. 2000. Community: Seeking Safety in an Insecure World, London, Polity.
BAUMANN, G. 1996. Contesting Culture: Discourses of identity in multi-ethnic London, Cambridge, Cambridge University Press.
BEVERIDGE, C. & TURNBULL, R. 1989. The Eclipse of Scottish Culture: Inferiorism and the Intellectuals, Edinburgh, Edinburgh University Press.
BRAH, A. 1996. Cartographies of diasporas: Contesting identities, London, Routledge.
CANDIDA-SMITH, R. (ed.) 2002. Art and the Performance of Memory: Sounds and Gestures of Recollection, London: Routledge.
CARLSON, M. 1996. Performance: a critical introduction, London, Routledge.
CHAUDHARY, V. 2003. The big bhangra. The Guardian, 15 August.
DAICHES, D. 1957. Two Worlds, Edinburgh, Canongate Classics.
ERROL, J. 1986. Mama look a Mas’ in Masquerading: The Art of the Notting Hill Carnival, London, Arts Council of Great Britain.
FERGUSON, R. 1998. Representing ‘Race’: Ideology, Identity and the Media, London, Arnold.
FLUSTY, S. 2004. De-Coca-Colonization: Making the Globe from the Inside Out, London, Routledge.
HALFPENNY, L. 2002. In: SMITH, M. & CARNEGIE, E. (eds.).
JERMYN, H. & DESAI, P. 2000. Arts – what’s in a word?: ethnic minorities and the Arts, London, Arts Council of England.
KAUR, R. & HUTNYK, J. 1999. Travel Worlds: Journeys in Contemporary Cultural Politics, London, Zed Books.
KHAN, N. 1976. The Arts Britain Ignores: The Arts of Ethnic Minorities in Britain, London, Commission for Racial Equality.
LIPPARD, L. 1990. Mixed Blessings: New Art in a Multicultural America, New York, Pantheon Books.
MANN, B. 1992. The New Scots, London, John Donald.
MORLEY, D. 2000. Home Territories: Media, Mobility and Identity, London, Routledge. doi: https://doi.org/10.4324/9780203444177
MOUSTAFA, B. & ANDREW, R. 2001. The Said Reader, London, Granta.
MOWITT, J. 2001. In the Wake of Eurocentrism: An Introduction. Cultural Critique, 8. doi: https://doi.org/10.1353/cul.2001.0024
STENHOUSE, D. 2004. On the Make: How the Scots Took Over London, Edinburgh, Mainstream.
THE PAREKH REPORT 2000. The Future of Multi-Ethnic Britain, London, Profile Books.
TWEEDIE, A. 2004. In: SMITH, M. & CARNEGIE, E. (eds.).
WATSON, M. 2003. Being English in Scotland, Edinburgh, Edinburgh University Press.
WEEKS, J. 2000. Making Sexual History, London, Polity.