The Negation of a Negation Fixed in a Form: Luigi Nono and the Italian Counter-culture 1964–1979

Timothy S. Murphy

doi:10.5130/csr.v11i2.3661

PDF

Published: Oct 25, 2013

DOI: https://doi.org/10.5130/csr.v11i2.3661

Keywords:

counter-culture, Italy, 1968, 1970s, avante-garde, music, sociopolitical revolution, Luigi Nono

Timothy S. Murphy

University of Oklahoma

Abstract

My goal in what follows is to trace the role of avant-garde music in the rise and development of the Italian counter-culture from the early 1960s until its destruction at the end of the 1970s. Instead of approaching this issue along quantitative, sociological lines, I will focus on one figure whose simultaneous engagement with musical innovation and sociopolitical revolution was exemplary in its intent (though exceptional in its extent): the avant-garde composer Luigi Nono, whose career parallels the rise of the Italian counter-culture during the 1960s and early 1970s. I will also briefly examine how the forcible destruction of the Italian counter-culture in 1979 is reflected in the last phase of Nono’s musical career.

Issue

Vol 11 No 2 (2005): Italian Effects

Section

Italian Effects (Peer Reviewed)

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright Notice

Authors who publish with this journal agree to the following terms:

a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed undera Creative Commons Attribution License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.

b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Open Access Citation Advantage Service). Where authors include such a work in an institutional repository or on their website (ie. a copy of a work which has been published in a UTS ePRESS journal, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the UTS ePRESS publication including the name of the journal, the volume number and a web-link to the journal item.

d) Authors should be aware that the Creative Commons Attribution (CC-BY) License permits readers to share (copy and redistribute the work in any medium or format) and adapt (remix, transform, and build upon the work) for any purpose, even commercially, provided they also give appropriate credit to the work, provide a link to the license, and indicate if changes were made. They may do these things in any reasonable manner, but not in any way that suggests you or your publisher endorses their use.

Author Biography

Timothy S. Murphy, University of Oklahoma

Timothy S Murphy, currently Associate Professor of English at the University of Oklahoma, is the author of Wising Up the Marks: The Amodern William Burroughs (1997), general editor of the journal Genre: Forms of Discourse and Culture, and translator of works by Antonio Negri, Gilles Deleuze and Jacques Derrida.

Article Sidebar

Main Article Content

Abstract

Article Details

Timothy S. Murphy, University of Oklahoma