Hypercreature Rhizome: A Performative Work

Raya Massie

doi:10.5130/csr.v10i1.3521

PDF

Published: Sep 2, 2013

DOI: https://doi.org/10.5130/csr.v10i1.3521

Keywords:

experimental writing, rhizome, hypercreature, creative involution

Raya Massie

University of Technology Sydney

Abstract

This writing is an experiment, created primarily out of a synergy of rhizome, flesh, concept and hypercreature, although there are also infinite others resonating through the work. This writing is not, however, a ‘rhizomic’ or ‘fleshy’ work: it is neither faithful, nor does it seek to represent; it is not a rhizomic performance, but rather the writing is performative of hypercreature, rhizome and flesh. It is not a duplicity, but a multiplicity: this writing is an evolution or perhaps a ‘creative involution’ of these concepts.

Issue

Vol. 10 No. 1 (2004): Action

Section

Articles (Peer Reviewed)

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright Notice

Authors who publish with this journal agree to the following terms:

a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed undera Creative Commons Attribution License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.

b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Open Access Citation Advantage Service). Where authors include such a work in an institutional repository or on their website (ie. a copy of a work which has been published in a UTS ePRESS journal, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the UTS ePRESS publication including the name of the journal, the volume number and a web-link to the journal item.

d) Authors should be aware that the Creative Commons Attribution (CC-BY) License permits readers to share (copy and redistribute the work in any medium or format) and adapt (remix, transform, and build upon the work) for any purpose, even commercially, provided they also give appropriate credit to the work, provide a link to the license, and indicate if changes were made. They may do these things in any reasonable manner, but not in any way that suggests you or your publisher endorses their use.

Author Biography

Raya Massie, University of Technology Sydney

RAYA MASSIE is a doctoral candidate in writing and cultural studies at the University of Technology, Sydney, where she also teaches fictocritical writing. Her ‘creative PhD’ researches cultural corporeality and ‘baroque post-humanism’, with a particular interest in monstrous performativity. <raya.massie@uts.edu.au>

Article Sidebar

Main Article Content

Abstract

Article Details

Raya Massie, University of Technology Sydney