To Love—To Live: Barrow and Cart

Main Article Content

Lisa McDonald
Vicki Crowley


From the residue of meaning, an ensemble of shadows. From the glint of souvenir, pliable impressions. In this paper, we work a poetics of encounter, of being, keeping, homage, of paying homage to fragility, to object and to interspecies—ways are found to engage motion from within and around co-extensive bodies. With the consolation of images, we follow the terse rhythms of routine and street where dwelling is a case of affective dissent. Zones of departure appear through testimony as well as chance, taking their own form. A footfall brings us as observers into quiet spaces which refuse self-estrangement as we travel by way of an unquiet ground. Breath, respiration, aspiration. Precipitation. Sculptures of mist are also the language of lives, of kinship between object, footfall and air. A language of brackets, questions, ellipses. There may be a man, a dog, a barrow. There may be a woman, a cart. Air. How shall this image be made?

Article Details

New Writing (Peer Reviewed)
Author Biographies

Lisa McDonald, MondoWord Research & Consulting

Principal Researcher & Education Consultant

Vicki Crowley, School of Communication, International Studies and Languages, University of South Australia

Senior Lecturer in Gender and Cultural Studies