‘New Ways to Frame the Mammoth Horror’: Media First Responders and the Katrina Event

Sara Knox

doi:10.5130/csr.v14i2.2072

PDF

DOI: https://doi.org/10.5130/csr.v14i2.2072

Keywords:

Hurricane Katrina, panic, media first responders, New Orleans, celebrity

Sara Knox

University of Western Sydney

Abstract

This article explores the state of emergency following Hurrican Katrina or ‘the Katrina Event’ with reference to the role of media first responders. Throughout the ensuing disaster the performance of the media (including celebrity advocates like Oprah Winfrey, Geraldo Rivera and Kanye West) worked as a mechanism for technical remastery in the face of systemic breakdown. This re-mediation of panic and of the state of emergency shifted attention from the local (that is, from the acts of witness by Katrina’s victims) to national reactions (as figured by advocates of the cause of the neglected poor of New Orleans). In this way even as voice was given to the failure of the nation to rise to the needs of its most vulnerable citizens, the figure of the nation as carer was re-instantiated in the televised outrage and frustration of talk show hosts, news anchors, and charity fund-raising celebrities.

Issue

Vol 14 No 2 (2008): Panic

Section

Panic (Peer Reviewed)

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright Notice

Authors who publish with this journal agree to the following terms:

a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed undera Creative Commons Attribution License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.

b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Open Access Citation Advantage Service). Where authors include such a work in an institutional repository or on their website (ie. a copy of a work which has been published in a UTS ePRESS journal, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the UTS ePRESS publication including the name of the journal, the volume number and a web-link to the journal item.

d) Authors should be aware that the Creative Commons Attribution (CC-BY) License permits readers to share (copy and redistribute the work in any medium or format) and adapt (remix, transform, and build upon the work) for any purpose, even commercially, provided they also give appropriate credit to the work, provide a link to the license, and indicate if changes were made. They may do these things in any reasonable manner, but not in any way that suggests you or your publisher endorses their use.

Author Biography

Sara Knox, University of Western Sydney

Sara Knox teaches in the School of Humanities and Languages at the University of Western Sydney. She is author of Murder: A Tale of Modern American Life (1998). Her novel The Orphan Gunner (2007) was short-listed for the regional Commonwealth Writer’s Prize.

Article Sidebar

Main Article Content

Abstract

Article Details

Sara Knox, University of Western Sydney