Arcane Erotica and National ‘Patrimony’: Britain’s Private Case and the Collection de l’Enfer of the Bibliothèque Nationale de France
Main Article Content
Abstract
This article considers the broad politics of the creation and maintenance of two large erotica collections in European national libraries across their histories and in relation to definitions of censorship and obscenity. It also examines the popular and intellectual discourses that have surrounded the Collection de l’Enfer and the Private Case of the British Library, and imbued them with a particular cultural mystique as repositories of secret, hidden and privileged erotic knowledge. Censorship and repression of sexuality cannot account for the policies of these libraries which have policed public morals through their restricted access conditions, even as the works they deemed obscene were published without any legal sanction. By classing their contents into a discreet category, these collections have helped to frame erotic signification as a separate body of meaning. In France the notion of the Enfer’s place within national patrimony has particularly abetted the discourses of mystique and allure around it. In Britain, the bibliographers who have discussed the Private Case have done so through assumptions of masculine heterosexual privilege and normativity.
Article Details
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed undera Creative Commons Attribution License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal.
b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Open Access Citation Advantage Service). Where authors include such a work in an institutional repository or on their website (ie. a copy of a work which has been published in a UTS ePRESS journal, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the UTS ePRESS publication including the name of the journal, the volume number and a web-link to the journal item.
d) Authors should be aware that the Creative Commons Attribution (CC-BY) License permits readers to share (copy and redistribute the work in any medium or format) and adapt (remix, transform, and build upon the work) for any purpose, even commercially, provided they also give appropriate credit to the work, provide a link to the license, and indicate if changes were made. They may do these things in any reasonable manner, but not in any way that suggests you or your publisher endorses their use.