Image, Precariousness and the Logic of Cultural Production in Hong Kong
Abbas, A. 1997, Hong Kong: Culture and the Politics of Disappearance. University of Minnesota Press, Minneapolis.
Apple Daily (èææ¥æ¥) 2011, 'å°å¥³æ¶é¸¦æè¾æªæª éæ¡ç»æ¿æ²»å¤§ææ' (Graffiti Girl Supports Ai Weiwei; Crime Unit's Big Political Search), 15 April. Online, available: http://hk.apple.nextmedia.com/news/art/20110415/15169662 [Accessed 1 January 2012].
Chang, T. Z. 2001, 'King of Kowloon (Tsang Tsou-choi), ' in Power of the Word. Independent Curators International, New York: 32.
Chow, V. 2011, 'Artists to Hold Shows in Support of Ai Weiwei, ' South China Morning Post, 19 May. Online, available: http://www.scmp.com/article/968145/artists-hold-shows-support-ai-weiwei [Accessed 1 January 2012].
Chung, J. et al. 2007, ä¹é¾çå¸. 2, ç¦æ¢æ¨è²¼ = The Art of Treason. 2, Post No Bill. CUP Magazine, Hong Kong.
Chung, J. 2010, Kowloon King. Asia One, Hong Kong.
Clarke, D. 2001, Hong Kong Art: Culture and Decolonization. Duke University Press, Durham, NC.
Corcoran, S. 2010, 'Editor's Introduction, ' in Dissensus: On Politics and Aesthetics, J. RanciÃ¨re. Continuum, London: 1â24.
DeWolf, C. 2011, 'Hundreds March in Support of Detained Artist Ai Weiwei, ' South China Morning Post, 24 April. Online, available: http://www.scmp.com/article/965919/hundreds-march-supportdetained- artist-ai-weiwei [Accessed 1 Janurary 2012].
DeWolf, C. & Tsang, P. 2011, 'Ai's Arrest Crossed a Line, Says Graffiti Artist, ' South China Morning Post, 16 April. Online, available: http://www.scmp.com/article/965198/ais-arrest-crossed-linesays- graffiti-artist [Accessed 1 January 2012].
Erni, J. N. 2001, 'Like a Postcolonial Culture: Hong Kong Re-imagined, ' Cultural Studies, vol. 15, no. 3â4: 389â418.
Erni, J. N. 2012, 'Who Needs Strangers? Un-imagining Hong Kong Chineseness, ' Chinese Journal of Communications, vol. 5, no. 1: 1â10.
Fu, P. 2003, Between Shanghai and Hong Kong: The Politics of Chinese Cinemas. Stanford University Press, Stanford, CA.
Henderson, J. C. 2008, 'Conserving Hong Kong's Heritage: The Case of Queen's Pier, ' International Journal of Heritage Studies, vol. 14, no. 6: 540â54.
Ho, O. 2005, 'The Problem with Politics: An Interview with Oscar Ho, ' (by J. Millichap), Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4: 10â13.
Jacobs, J. M. 1996. Edge of Empire: Postcolonialism and the City. Routledge, London.
Lo, S. H. H. 2010, Competing Chinese Political Visions: Hong Kong vs Beijing on Democracy. Praeger, Westport, CT.
Lau, J. H. C. 2011, 'King of Kowloon Finally Gets Respect, ' New York Times, 4 May. Online, available: http://www.nytimes.com/2011/05/05/arts/05iht-kowloon05.html?pagewanted=all & _r=0 [Accessed 1 January 2012].
Lau, K. W. (ed.) 1997, The Street Calligraphy of Tsang Tsou Choi. Kin Wai's Workshop, Hong Kong.
Lau, K. W. 2000, 'Tsang Tsou Choi, ' in Artscope Hong Kong 2000. Exhibition catalogue, Sabrina Fung Fine Arts, Hong Kong: n. p.
Lim, L. 2011, 'Hong Kong Graffiti Challenges Chinese Artist's Arrest, ' National Public Radio. Online, available: http://www.npr.org/2011/05/04//135985475/hong-kong-graffiti-challenges-chineseartists-arrest [Accessed 1 January 2012].
Lu, T. L. D. 2009. 'Heritage Conservation in Post-colonial Hong Kong, ' International Journal of Heritage Studies, vol. 15, nos. 2â3: 258â72.
Ngan, I. and Lai, E. (eds.) 2004, Mapping Identities: The Art and Curating of Oscar Ho. Para/Site: Hong Kong.
RanciÃ¨re, J. 2007, 'Art of the Possible, ' Interview with J. Ranciere by F. Carvevale and J. Kelsey, Artforum, vol. 45, no. 7: 256â67.
RanciÃ¨re, J. 2009, Aesthetics and its Discontents, trans. S. Corcoran. Polity Press, Cambridge.
Sieh, M. 2011, 'Finding a Voice in Art, ' South China Morning Post, 30 May. Online, available: http://www.scmp.com/article/969147/finding-voice-art [Accessed 1 January 2012].
Smith, T. 2008, 'Introduction: The Contemporaneity Question, ' in Antinomies of Art and Culture, (eds) T. Smith, O. Enwezor & N. Condee, Duke University Press, Durham, NC: 1â19.
Tam, S. M. 1997, 'Eating Metropolitaneity: Hong Kong Identity in Yumcha, ' The Australian Journal of Anthropology, vol. 8, no. 3: 291â306.
Tsang, P. 2011, 'Ai Weiwei Backers Project Graffiti Image onto Landmark Buildings, ' South China Morning Post, 29 April. Online, available: http://www.scmp.com/article/966332/ai-weiweibackers-project-graffiti-image-landmark-buildings [Accessed 1 January 2012].
Virilio, P. 1991, The Aesthetics of Disappearance. MIT Press, Cambridge, MA.
Wear, E. 1999, 'No Place is Home: Outmanoeuvring Cultural/Racial Identity in Hong Kong, ' in Hong Kong Art Review, (eds) E. Wear & O. Ho. International Association of Art Critics, Hong Kong: 80â93.
Wright, A. 2011, 'The Buzz, ' South China Morning Post, 5 May. Online, available: http://www.scmp.com/article/966821/buzz [Accessed 1 January 2012].
Ye Bolin (èå¯¶ç³) 2011, 'ä»éº¼äººè¨ªåä»éº¼äºº:æçå¡é´ ææ³çµ¦å§å°äººåéè¡å®¶ç' (Who Visits Who: I'd Like to Give Mainlanders and Bankers a Look at My Graffiti), Ming Pao [Hong Kong], 24 April. Online, available: https://ol.mingpao.com/cfm/style5.cfm?File=20110424/sta13/vza2 [Accessed 1 January 2012].