NEW: Emerging scholars in Australian Indigenous Studies
type: channel
description: NEW: Emerging Scholars in Australian Indigenous Studies was initiated by Philip Morrissey from the University of Melbourne and Heidi Norman from the University of Technology Sydney in 2015. The journal provides a platform for publishing undergraduate scholarship in Indigenous studies and attracts high quality student work. Cover image Vol. 4, No. 1 (2018): 2018 Sydney Festival installation, 4000 Fish, Emily McDaniel. Photographer: Jamie Williams.
publisher: University of Technology Sydney
language: en
publication name: NEW: Emerging scholars in Australian Indigenous Studies
issn: 2208-1232
copyright: Authors who submit articles to this journal for publication, agree to the following terms: a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal. b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal. c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Open Access Citation Advantage Service). Where authors include such a work in an institutional repository or on their website (ie. a copy of a work which has been published in a UTS ePRESS journal, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the UTS ePRESS publication including the name of the journal, the volume number and a web-link to the journal item. d) Authors should be aware that the Creative Commons Attribution (CC-BY) License permits readers to share (copy and redistribute the work in any medium or format) and adapt (remix, transform, and build upon the work) for any purpose, even commercially, provided they also give appropriate credit to the work, provide a link to the license, and indicate if changes were made. They may do these things in any reasonable manner, but not in any way that suggests you or your publisher endorses their use.
items: Preface
items: The Human Reality: A struggle for recognition and justice
items: Making Change Happen
items: The Form and Function of Narrative Perspective in Kim Scott’s True Country
items: Bran Nue Dae: an essentially conservative work sacrificing politics for a Utopian reconciliation?
items: An essay on the works of Western Desert women artists and Aboriginal culture
items: ‘The Millennial Generation Reading the Past through Literature’ - The Past Matters Festival, Montsalvat, 27 July 2013
items: Same Same but Different: A history of the relationality between Aboriginal Australians and the Australian nation-state
items: The sizes of truth: how Ivan Sen’s Wind helps us understand a complex contemporary identity
items: No healing without recognition: a review of Mark McKenna’s Moment of Truth
items: Ballast Point Park / Walama
items: Stephen Gapps’ The Sydney Wars: Conflict in the Early Colony 1788-1817
items: Neocolonialism: the true intention behind the Northern Territory intervention
items: World travelling and speculative truth-telling: a review of Terra Nullius by Claire Coleman
items: The Stolen Generations: competing histories
items: Constitutional recognition: French perspective
items: Constitutional recognition: which way forward?
items: White Australia, Black Bodies: the use of Aboriginal bodies and artefacts in Australian public discourses
items: Site Visit to La Perouse
items: Victoria Park
items: Murramarang Beach
items: Parramatta Girls: a review of the Riverside Theatre and the relevancy past events still have in contemporary Australia
items: The Rabbits 230 years on
items: The Settler and the Land: Using Patrick Wolfe’s logic of elimination to understand frontier violence in Australia’s colonial era
items: Four Thousand Fish
items: The silent narrative you may have missed in Jedda
items: Bringing the Truth Home: the role of oral history and testimony in building and fragmenting Australian collective history and the Stolen Generations
items: Colonial-capitalism and the shrinking possibilities for achieving Aboriginal equality and agency in Australia: a critical study of ‘economic’ strategy for social and political advancement
items: The 1967 Referendum
items: Deep Time Dreaming: A Critical Review

Preface
type: item
description: The essays in this inaugural edition of New: Emerging Scholars in Australian Indigenous Studies are the work of undergraduates from Social and Political Sciences, at the University of Technology, Sydney, and the Australian Indigenous Studies Program, University of Melbourne.
subject: Articles
  topic: section
creator: Heidi Norman
creator: Philip John Morrissey
rights: Copyright (c) 2016 Heidi Norman, Philip John Morrissey
date: 2025-12-14
publication date: 2025-12-14
starting page: 1
ending page: 1
doi: 10.5130/nesais.v1i1.1425

The Human Reality: A struggle for recognition and justice
type: item
description: This paper follows a seminar discussion held 18th May 2014 on the topic: Recognition and Justice. The seminar, with reference to contemporary advocates of recognition and justice (Charles Taylor 1994, Nancy Fraser and Axel Honneth 2003), focused on the struggles for recognition: what it means to recognise and be recognised and the limited theoretical approaches to understanding recognition and justice. This latter point is the focus of this post-seminar paper. With specific reference to the contested meaning of ‘Welcome to Country’ (herein WTC) rituals I explore here the ideas of recognition and justice with respect to the experiences of Aboriginal people in Australia.
subject: Articles
  topic: section
creator: Jessica Anderson
rights: Copyright (c) 2015 NEW: Emerging scholars in Australian Indigenous Studies
date: 2015-09-08
publication date: 2015-09-08
starting page: 2
ending page: 13
doi: 10.5130/.v1i1.1389

Making Change Happen
type: item
description: Heather Goodall, Anti-Apartheid activist and historian has written an account of the life of Kevin Cook, not so much a biography as a portrait of a man whose involvement in Aboriginal affairs since the 1970s defines the term ‘mover and shaker’. Originally begun as a history project for the Rona Tranby Oral History Trust, this collaborative work tells a story about the politics and people of that time and the ground-breaking achievements that occurred with ‘Cookie’, as he was known, as a central player. The themes raised encompass racism, employment discrimination, feminism, the politics of liberation and in particular the long struggle of Aboriginal activism through the civil rights movement of the 1960s, to the present day.
subject: Book Reviews
  topic: section
creator: Lee Frost
rights: Copyright (c) 2015 NEW: Emerging scholars in Australian Indigenous Studies
date: 2015-09-08
publication date: 2015-09-08
starting page: 24
ending page: 27
doi: 10.5130/.v1i1.1390

The Form and Function of Narrative Perspective in Kim Scott’s True Country
type: item
description: The floating, shifting narrative of Kim Scott’s first novel True Country (1993) is one of the most captivating elements of the text that explores contemporary modes of Aboriginality. The narrative of True Country does not simply move the story from event to event; it underpins the moral of the text itself. With shifting perspectives and an unwavering sense of hope, the narrative embodies Billy’s acceptance into the community of Karnama, the home of his grandmother.
subject: Book Reviews
  topic: section
subject: Indigeneity
  topic: keywords
subject: Aboriginality
  topic: keywords
subject: Identity
  topic: keywords
subject: Aboriginal studies
  topic: subjects
subject: Aboriginality
  topic: subjects
subject: Identity
  topic: subjects
subject: Aboriginal studies
  topic: disciplines
subject: Aboriginal politics
  topic: disciplines
subject: Aboriginal history
  topic: disciplines
subject: Aboriginal cultural studies
  topic: disciplines
creator: Jazz Money
rights: Copyright (c) 2015 Jazz Money
date: 2015-09-08
publication date: 2015-09-08
starting page: 28
ending page: 36
doi: 10.5130/nesais.v1i1.1399

Bran Nue Dae: an essentially conservative work sacrificing politics for a Utopian reconciliation?
type: item
description: Bran Nue Dae, written by Jimmy Chi, directed by Andrew Ross, and with a score performed by Kuckles, uses the eccentricity of the musical theatre genre to communicate political messages in innovative and unexpected ways. Indeed, the play’s origins are in Broome, a city that as Peter Bibby articulates in the script’s introduction, ‘is such a long way from anywhere that it might as well be nowhere, which is perhaps a good starting point for surprises’ (Bibby 1991, p.6). Part of what characterises the text and makes it so surprising is its combination of non-naturalistic techniques and hard-hitting political statements. In this essay, I will first weigh up three separate issues; whether Bran Nue Dae can be considered conservative, the extent to which it is political, and the nature of its conclusion which, as the essay question suggests, presents a utopian reconciliation that compromises its political aims. Following this, I will assess the question as a whole, determining whether the musical’s conclusion jars or aligns with the rest of the text. Ultimately, I will argue that although the musical theatre genre enables Bran Nue Dae to be blatant and outlandish, the political issues it explores are incorporated into the text in complex, subtle and oftentimes abstract ways.
subject: Book Reviews
  topic: section
subject: Political activism
  topic: keywords
subject: Aboriginal peoples
  topic: keywords
subject: Theatre
  topic: subjects
subject: musical
  topic: subjects
subject: Indigenous peoples
  topic: subjects
subject:
  topic: subjects
subject: Aboriginal studies
  topic: disciplines
subject: Aboriginal politics
  topic: disciplines
subject: Aboriginal history
  topic: disciplines
subject: Aboriginal cultural studies
  topic: disciplines
creator: Charlotte Salusinszky
rights: Copyright (c) 2015 Charlotte Salusinszky
date: 2015-09-08
publication date: 2015-09-08
starting page: 37
ending page: 44
doi: 10.5130/nesais.v1i1.1400

An essay on the works of Western Desert women artists and Aboriginal culture
type: item
description: The works of Western Desert women artists, such as Kathleen Petyarre, confront the viewer with the embodied reality of Aboriginal culture. These works are intercultural expressions of Aboriginal ways of being, imprinted within the frame of the canvas. This essay explores the implications of Kathleen Petyarre’s paintings for Settler Australians, and the potential for such works to create a greater appreciation of Country. I suggest that the acrylic paintings performed by Western Desert women artists can be understood as both expressions of the Dreaming and as evocations of sensibilities to be experienced and felt by Settler viewers. With reference to Jennifer Biddle’s Breasts, Bodies, Canvas: Central Desert Art as Experience (2007), I maintain that the work of Western Desert women artists departs from the dominant modes of representing Country, Dreaming narratives and Ancestors – instead articulating bodily experiences and expressions particular to Aboriginal women’s ways of being in and knowing the world.
subject: Articles
  topic: section
subject: Dreaming
  topic: keywords
subject: Dreamtime
  topic: keywords
subject: Australian Indigenous art
  topic: keywords
subject: Aboriginal artworks
  topic: subjects
subject: Dreaming
  topic: subjects
subject: Aboriginal women
  topic: subjects
subject: Aboriginal Ways of Being
  topic: subjects
subject: Colonisation
  topic: subjects
subject: Aboriginal studies
  topic: disciplines
subject: Aboriginal politics
  topic: disciplines
subject: Aboriginal history
  topic: disciplines
subject: Aboriginal cultural studies
  topic: disciplines
creator: Tristen Harwood
rights: Copyright (c) 2015 Tristen Harwood
date: 2015-09-08
publication date: 2015-09-08
starting page: 14
ending page: 23
doi: 10.5130/nesais.v1i1.1401

‘The Millennial Generation Reading the Past through Literature’ - The Past Matters Festival, Montsalvat, 27 July 2013
type: item
description: The Past Matters Festival, Montsalvat, 27 July 2013 Forum Participants: James Burgmann-Milner, Fiannuala Morgan, John Morrissey, Jon Ricketson, Kate Leah Rendell
subject: Book Reviews
  topic: section
creator: Philip John Morrissey
creator: James Burgmann-Milner
creator: Fiannuala Morgan
creator: John Morrissey
creator: Jon Ricketson
creator: Kate Leah Rendell
rights: Copyright (c) 2016 Philip John Morrissey, James Burgmann-Milner, Fiannuala Morgan, John Morrissey, Jon Ricketson, Kate Leah Rendell
date: 2016-08-04
publication date: 2016-08-04
starting page: 45
ending page: 63
doi: 10.5130/nesais.v1i1.1426

Same Same but Different: A history of the relationality between Aboriginal Australians and the Australian nation-state
type: item
description: The Australian polity’s approach to Aboriginal and Torres Strait Islander people has historically emphasised integration into the colonial nation-state. This essay argues that these paternalistic principles continue to inform 21st century policy to the detriment of meaningful progress towards coexistent Aboriginal sovereignty. Keywords Australian politics; Aboriginal sovereignty; self-determination; activism
subject: Articles
  topic: section
subject: Australian politics
  topic: keywords
subject: Aboriginal sovereignty
  topic: keywords
subject: self-determination
  topic: keywords
subject: activism
  topic: keywords
creator: Alice Gordon
rights: Copyright (c) 2018 Alice Gordon
date: 2018-10-26
publication date: 2018-10-26
starting page: 2
ending page: 7
doi: 10.5130/nesais.v4i1.1505

The sizes of truth: how Ivan Sen’s Wind helps us understand a complex contemporary identity
type: item
description: Set in 1867, Ivan Sen’s short film Wind tells the story of a young Indigenous tracker named Jess who, in the process of hunting a wanted criminal with his sergeant, begins to trace the footsteps of a community and a heritage he has barely known. This story is set entirely in the mountains, with few references to the wider contexts of Jess and the sergeant, placing it almost completely apart from the plateaus of central ‘big’ truths (Read 2002, p. 54) that constitute the crux of Aboriginal Australian history. Jess’ story acts as a representation of one of the complex anomalies that were a part of early frontier life. It not only tells, but shows audiences that it’s just not that simple.
subject: Reviews
  topic: section
creator: Anita Donovan
rights: Copyright (c) 2018 Anita Donovan
date: 2018-10-26
publication date: 2018-10-26
starting page: 101
ending page: 104
doi: 10.5130/nesais.v4i1.1506

No healing without recognition: a review of Mark McKenna’s Moment of Truth
type: item
description: In late 2017, between the furore of the Commonwealth citizenship saga, Malcolm Turnbull quietly rejected the Uluru Statement from the Heart; a statement borne from days of deliberation between Indigenous leaders from across Australia as part of the Referendum Council. The statement called for constitutional reform enshrining the establishment of a ‘First Nations Voice’, a Makarrata Commission and, importantly, a treaty (Referendum Council 2017). It is with a blistering critique of Turnbull’s choice to reject the statement that Issue 69 of the Quarterly Essay, titled Moment of Truth (McKenna 2018), opens. Mark McKenna traverses modern Australia, drawing upon historians, academics, advisory bodies, and personal narratives to consider the role that both white and Indigenous history have had in forming today’s nation, delving into the erasure of key moments in Australia’s past and confronting our past and current violence towards Indigenous peoples.
subject: Reviews
  topic: section
creator: Aryan Golanjan
rights: Copyright (c) 2018 Aryan Golanjan
date: 2018-10-26
publication date: 2018-10-26
starting page: 124
ending page: 126
doi: 10.5130/nesais.v4i1.1507

Ballast Point Park / Walama
type: item
description: The significance and influence of Aboriginal culture at Ballast Point Park, dually named Walama, is understated and subtle. Located on the traditional grounds of the Dharug-speaking Gadigal people, the park is diverse and unique in its landscape. Stepping off the road and into the rocky clay clearing, there is the distinct feeling of leaving one place and entering a new one. I notice first the red and orange tones that are lit up under the harsh sun as I cross the clearing to reach the shaded path. All paths snake down the rocky cliffs to the water's edge where you have a panoramic view of the harbour. The site is known for its post-European settlement industrial history and littered throughout the park are remnants of tanks, pipes, and concrete slabs that pay homage to this chapter. However, what is striking about this park is not the industrial remains themselves, but the way in which they have become interwoven and hidden among the native Australian plants.
subject: Site Visits
  topic: section
creator: Beattie Tow
rights: Copyright (c) 2018 Beattie Tow
date: 2018-10-26
publication date: 2018-10-26
starting page: 132
ending page: 133
doi: 10.5130/nesais.v4i1.1508

Stephen Gapps’ The Sydney Wars: Conflict in the Early Colony 1788-1817
type: item
description: Stephen Gapps’ The Sydney Wars covers the period of conflict in the Sydney Basin area between 1788 and 1817, detailing the various battles and massacres that took place in the early years of the Sydney colony. The book promotes itself as the first ‘detailed account’ of these conflicts in the Sydney area, and detailed it is. Gapps weaves together contemporary accounts from diaries, official dispatches to the British Empire, news reports and court testimony to present a thorough reckoning of the destruction dealt to lives and property across the three decades from first European contact. He paints a nuanced picture of the conflict which offers, in some respects, a dissenting voice in the narrative surrounding these frontier wars – a term Gapps himself takes some issue with.
subject: Reviews
  topic: section
creator: Caitlin McHugh
rights: Copyright (c) 2018 Caitlin McHugh
date: 2018-10-26
publication date: 2018-10-26
starting page: 114
ending page: 116
doi: 10.5130/nesais.v4i1.1509

Neocolonialism: the true intention behind the Northern Territory intervention
type: item
description: While colonialism in Australia has ‘officially’ ended, it is evident that its impact on Indigenous people has been enduring. This essay argues that, beyond simply being ‘legacies’ of colonialism, latter-day interventions by Australian governments such as the Northern Territory Emergency Response Act are an insidious form of neo-colonialism. Keywords NT intervention; neocolonialism; white paternalism; the colonial gaze
subject: Articles
  topic: section
subject: NT intervention
  topic: keywords
subject: neocolonialism
  topic: keywords
subject: white paternalism
  topic: keywords
subject: the colonial gaze
  topic: keywords
creator: Cameron Hart
rights: Copyright (c) 2018 Cameron Hart
date: 2018-10-26
publication date: 2018-10-26
starting page: 76
ending page: 82
doi: 10.5130/nesais.v4i1.1510

World travelling and speculative truth-telling: a review of Terra Nullius by Claire Coleman
type: item
description: I read Terra Nullius (Coleman 2017) after listening to an interview with Claire Coleman. She was intelligent, with a clear, striking voice that didn’t hide her discomfort, but challenged us to feel it too. She said: White people say that Australia is the lucky country, well…who is it lucky for? Because it’s certainly not lucky for us. People always talk about closing the gap, well I think the gap that needs to be closed is the gap between the fiction of Australia and the reality of Australia. The fiction of Australia is terra nullius. The reality is that terra nullius was actually a lie. (‘For us, happy endings feel dishonest’ 2017).
subject: Reviews
  topic: section
creator: Chloe Michele
rights: Copyright (c) 2018 Chloe Michele
date: 2018-10-26
publication date: 2018-10-26
starting page: 108
ending page: 110
doi: 10.5130/nesais.v4i1.1511

The Stolen Generations: competing histories
type: item
description: The high rate of removal of Indigenous children from their families has produced a devastating impact on Aboriginal communities. In discussing how an ongoing failure to appreciate the intergenerational impact of forced removals has led to a failure in policy as well as the continued removal of Indigenous children from their communities today, this essay argues the importance of acknowledging the complexity of the Stolen Generations over simplistic narratives that foster divisiveness. Keywords Stolen Generations; assimilation policy; history wars; interventionism
subject: Articles
  topic: section
subject: Stolen Generations
  topic: keywords
subject: assimilation policy
  topic: keywords
subject: history wars
  topic: keywords
subject: interventionism
  topic: keywords
creator: Christopher Cook
rights: Copyright (c) 2018 Christopher Cook
date: 2018-10-26
publication date: 2018-10-26
starting page: 27
ending page: 32
doi: 10.5130/nesais.v4i1.1512

Constitutional recognition: French perspective
type: item
description: The Constitution of France is based on principles from the 1789 revolution, stating in its first article that it is an “indivisible republic” and that it “ensures the equality before the law of all citizens without distinction of origin, race or religion.” Growing up in such a unitary country (as opposed to multicultural), it was hard for me to completely grasp the idea of recognition of indigenous groups, of ethnic or cultural minorities. Yet, France recently recognised the existence of such local groups in territories outside the mainland – for instance, New-Caledonia. It mostly refers to memorial issues, reflecting on “the shadows of colonial times”, and further affirmative action. This draws on the concept of the ‘right to recognition’ theorised by Le Pourhiet (2014), with objective principles of cultural diversity and the grant of collective rights to more vulnerable groups.
subject: Blog Posts
  topic: section
creator: Clara Goutaudier
rights: Copyright (c) 2018 Clara Goutaudier
date: 2018-10-26
publication date: 2018-10-26
starting page: 143
ending page: 144
doi: 10.5130/nesais.v4i1.1513

Constitutional recognition: which way forward?
type: item
description: Though the topic is often evaded by mainstream news, the proposition of Indigenous constitutional recognition has been increasingly discussed within recent years and particularly so since the Aboriginal and Torres Strait Islander Peoples Recognition Act of 2013 was proposed under Prime Minister Julia Gillard. Several possible mechanisms for recognition have been proposed by government and Indigenous peoples, however the prevailing models to be fulfilled, if any, are yet to be known. In researching such mechanisms, I personally find myself to be confounded by the multiplicity of suggestions, complexity of needs from individual bodies, and the ramifications of enacting particular methodologies over others.
subject: Blog Posts
  topic: section
creator: Damon Chester
rights: Copyright (c) 2018 Damon Chester
date: 2018-10-26
publication date: 2018-10-26
starting page: 145
ending page: 146
doi: 10.5130/nesais.v4i1.1514

White Australia, Black Bodies: the use of Aboriginal bodies and artefacts in Australian public discourses
type: item
description: Indigenous bodies, artefacts and material cultures have largely been represented in the public sphere in ways that reflect and reinforce colonialist understandings of Aboriginality. This essay examines how discourses which position European whiteness in a place of primacy in direct contrast with an Indigenous ‘other’ continue to prevail in the contexts of museums, the art world and the tourism industry. Keywords the colonial gaze; othering; politics of representation
subject: Articles
  topic: section
subject: the colonial gaze
  topic: keywords
subject: othering
  topic: keywords
subject: politics of representation
  topic: keywords
creator: Danielle Brazier
rights: Copyright (c) 2018 Danielle Brazier
date: 2018-10-26
publication date: 2018-10-26
starting page: 70
ending page: 75
doi: 10.5130/nesais.v4i1.1515

Site Visit to La Perouse
type: item
description: “When you walk here today, you walk among the spirits of our ancestors,” reads a brand-new Welcome To Country sign above the front desk of the La Perouse Museum, the text an evocative reminder of the resilience of Indigenous Australians in places where they have struggled for a voice. While this demonstrates a shift in recent years to acknowledging and valuing the Indigenous heritage of these places, an exploration of the museum makes the precedence given to eponymous explorer Lapérouse clear. This is a place where the French community has long celebrated their own place in Australia. However, despite their tens of thousands of years in the area, the addition of Aboriginal history is a recent one. If Aboriginal history can be considered a battlefield of conflicting accounts and perspectives, then the exhibits in this museum are the survivors of a long war.
subject: Site Visits
  topic: section
creator: Eleanor Brus
rights: Copyright (c) 2018 Eleanor Brus
date: 2018-10-26
publication date: 2018-10-26
starting page: 137
ending page: 138
doi: 10.5130/nesais.v4i1.1516

Victoria Park
type: item
description: I had walked past Victoria Park several times, seen it through the window from the bus on City Road, and sat on the grass at its edge just opposite Glebe Point Road, but never actually walked around it until the Aboriginal Political History Introductory Week excursion.
subject: Site Visits
  topic: section
creator: Emma Green
rights: Copyright (c) 2018 Emma Green
date: 2018-10-26
publication date: 2018-10-26
starting page: 130
ending page: 131
doi: 10.5130/nesais.v4i1.1517

Murramarang Beach
type: item
description: The site I chose to reflect on is Murramarang beach. This is an important place when thinking about Aboriginal political history, as it depicts life prior to colonisation but was also significant during colonisation. Murramarang would have been the carinya (‘happy home’) to either a single tribe or a meeting place between surrounding tribes, but my connection to this land lies in it being my second place of home.
subject: Site Visits
  topic: section
creator: Emma McCulloch
rights: Copyright (c) 2018 Emma McCulloch
date: 2018-10-26
publication date: 2018-10-26
starting page: 139
ending page: 140
doi: 10.5130/nesais.v4i1.1518

Parramatta Girls: a review of the Riverside Theatre and the relevancy past events still have in contemporary Australia
type: item
description: Feminism and issues of violence against women are at the forefront of the contemporary world. However, although women are speaking out for themselves, there are still minority groups whose voices remain unheard. With the recent Women’s Marches and International Women’s Day, it is important to place emphasis on the mistreatment of all women throughout Australian history, particularly that of Aboriginal women, who have often had issues which have been ignored by the government and media. The Riverside Theatre (Parramatta Girls 2014) acknowledges the voices of Aboriginal women in their production of Alana Valentine’s Parramatta Girls (2007), a verbatim-style play that tells the true stories of women who grew up in a training home for girls. Through the plot device of memory, an integral theme throughout the performance, eight women meet in the old Parramatta Girl’s Home at a reunion, reflecting on their experiences they each had with each other and their determination to escape and survive the psychological, physical and sexual abuse inflicted on them as young girls.
subject: Reviews
  topic: section
creator: Georgina Stortenbeker
rights: Copyright (c) 2018 Georgina Stortenbeker
date: 2018-10-26
publication date: 2018-10-26
starting page: 120
ending page: 123
doi: 10.5130/nesais.v4i1.1519

The Rabbits 230 years on
type: item
description: The Rabbits, written by John Marsden and illustrated by Shaun Tan, is “a rich and haunting allegory for all ages, all cultures” (Marsden & Tan 1998). The 32-page picture book is a reference to Australia’s colonial past, exploring the history between British colonisers and Australia’s Indigenous population.
subject: Reviews
  topic: section
creator: Hollie Cheung
rights: Copyright (c) 2018 Hollie Cheung
date: 2018-10-26
publication date: 2018-10-26
starting page: 105
ending page: 107
doi: 10.5130/nesais.v4i1.1520

The Settler and the Land: Using Patrick Wolfe’s logic of elimination to understand frontier violence in Australia’s colonial era
type: item
description: Whilst it is the heinous acts of physical violence that are often foregrounded when imagining frontier violence, it is the structural forces of colonialism that have had a continued effect on Aboriginal culture and identity. This essay will discuss the legitimacy of Patrick Wolfe’s logic of elimination in the face of frontier violence, examining the more insidious ways in which colonialism manifests itself in modern Australia. Keywords settler colonialism; frontier violence; Indigenous dispossession
subject: Articles
  topic: section
subject: settler colonialism
  topic: keywords
subject: frontier violence
  topic: keywords
subject: Indigenous dispossession
  topic: keywords
creator: Jacob van der Walle
rights: Copyright (c) 2018 Jacob van der Walle
date: 2018-10-26
publication date: 2018-10-26
starting page: 45
ending page: 50
doi: 10.5130/nesais.v4i1.1521

Four Thousand Fish
type: item
description: Four Thousand Fish, curated by Kalari (South-West NSW) woman Emily McDaniel, is an exhibition that very precisely highlights the act of participation in sharing, shaping and taking responsibility in narratives. There are multiple overlapping aspects and commentaries that this exhibition touches upon; however, for the purposes of this review I am wanting to focus on how McDaniel goes about framing and shaping narrative, particularly with a narrative that has somewhat been hidden behind a colonial front, and highlight the importance of McDaniel’s telling of this story.
subject: Reviews
  topic: section
creator: Jonah Johnson
rights: Copyright (c) 2018 Jonah Johnson
date: 2018-10-26
publication date: 2018-10-26
starting page: 127
ending page: 129
doi: 10.5130/nesais.v4i1.1522

The silent narrative you may have missed in Jedda
type: item
description: Jedda, directed by Charles Chauvel and written by his wife Elsa Chauvel, was a landmark film for Australian cinema because of its groundbreaking firsts: it was the first film to cast Indigenous actors in lead roles, the first to be shot in colour, and the first Australian film to compete in the Cannes Film Festival. Jedda is largely of Australian historical interest as it offers an insight into race relations of the 1950s, ideas of Aboriginal assimilation, and inadvertently, the Stolen Generations.
subject: Reviews
  topic: section
creator: Kellie Dillon
rights: Copyright (c) 2018 Kellie Dillon
date: 2018-10-26
publication date: 2018-10-26
starting page: 98
ending page: 100
doi: 10.5130/nesais.v4i1.1523

Bringing the Truth Home: the role of oral history and testimony in building and fragmenting Australian collective history and the Stolen Generations
type: item
description: Australia’s fraught colonial past has made the search for a collective history exceptionally difficult; history wars surrounding policies of child removal in particular are a testament to the nation’s fractured memory. This essay examines the role of oral history in the promotion of both truth and healing – not only for separated Indigenous families, but also for the collective national identity which has suffered as a result of colonial Australia’s failure to pay heed to Indigenous voices. Keywords Stolen Generations; history wars; oral history
subject: Articles
  topic: section
subject: Stolen Generations
  topic: keywords
subject: history wars
  topic: keywords
subject: oral history
  topic: keywords
creator: Koreen Cueto
rights: Copyright (c) 2018 Koreen Cueto
date: 2018-10-26
publication date: 2018-10-26
starting page: 92
ending page: 97
doi: 10.5130/nesais.v4i1.1524

Colonial-capitalism and the shrinking possibilities for achieving Aboriginal equality and agency in Australia: a critical study of ‘economic’ strategy for social and political advancement
type: item
description: Subjectivity coded in Indigenous and non-Indigenous minds maintains a fictional spectre of Aboriginal deficiency and dependency. This essay argues that attempts to resist this narrative by economic means may serve in some ways to materially improve the lives of Indigenous peoples today, but are ultimately embedded in the western hegemony that continues to repress and inferiorise Aboriginal culture. Keywords settler colonialism; subjectification; self-determination; economism
subject: Articles
  topic: section
subject: settler colonialism
  topic: keywords
subject: subjectification
  topic: keywords
subject: self-determination
  topic: keywords
subject: economism
  topic: keywords
creator: Lauren Fiedler
rights: Copyright (c) 2018 Lauren Fiedler
date: 2018-10-26
publication date: 2018-10-26
starting page: 33
ending page: 38
doi: 10.5130/nesais.v4i1.1525

The 1967 Referendum
type: item
description: The 1967 Referendum symbolised the political and legal emancipation of the Aboriginal and Torres Strait Islander people. However, despite the high hopes the referendum set out to achieve, the equivocation of the ‘yes’ vote over constitutional reform led to no real or clear-cut changes at all
subject: Blog Posts
  topic: section
creator: Lucinda Kranjc
rights: Copyright (c) 2018 Lucinda Kranjc
date: 2018-10-26
publication date: 2018-10-26
starting page: 147
ending page: 148
doi: 10.5130/nesais.v4i1.1526

Deep Time Dreaming: A Critical Review
type: item
description: In 2017, Nature, the international journal of science, published research that pushed the dawn of human occupation in Australia even further into deep time: an estimated 65,000 years ago (Clarkson et al. 2017). Inevitably, questions were posed about how this discovery might affect not only our understanding of Australia’s Indigenous past, but also the global story of human evolution. Billy Griffiths’ 2018 book, Deep Time Dreaming: Uncovering Ancient Australia, chronicles developments in the field of Aboriginal archaeology from the mid-twentieth century to the current day, and is therefore well-situated to address the possible implications of these new findings. Deep Time Dreaming is an invaluable read due to the way it demonstrates that the study of deep time is not an isolatable pursuit; rather, archaeology is humanistic and often profoundly political, carrying consequences for how we identify and interact with the present.
subject: Reviews
  topic: section
creator: Natasha Capstick
rights: Copyright (c) 2018 Natasha Capstick
date: 2018-10-26
publication date: 2018-10-26
starting page: 117
ending page: 119
doi: 10.5130/nesais.v4i1.1527