Limits in complexity: the contextual boundaries of Peter Carstairs’ "September"
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Abstract
Peter Carstairs’ 2007 film September is a quiet, intimate contemplation of friendship, coming of age, and ‘the subtle side of racism’ in 1968 Australia (Carstairs in Robertson 2007, p. 16). In the Wheatbelt of Western Australia, Ed Anderson (Xavier Samuel) the son of a wool and wheat farmer, and Paddy Parker (Clearance John Ryan) the son of an Aboriginal labourer on the Andersons’ property, navigate the strains placed on their relationship by complex long-standing prejudices and the changing nature of the Australian political world.
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