Music and the 'any-space-whatever': Translating existential chaos into artistic composition
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Abstract
This paper looks at the importance of rhythmic creativity for the African-American musician as a means of counteracting the inherent “non-space” of diasporic existence. Drawing upon the work of Deleuze and Guattari, as well as from the fields of cultural studies and diaspora theory, this paper examines the immanent existential and territorial concerns of the “minor” subject, as might be witnessed in the music of James Brown. Rather than attribute Brown’s African-American identity as the defining characteristic of his musical style, as many previous academic accounts have done, I will instead look at his work as the product of a lack of an identity, and how this idea might be understood in relation to Augé’s “non-places”, the idiosyncratic interpretation of Augé by Deleuze in his Cinema books, and the possible correspondence of this concept of the “non-place”/”any-space-whatever” with the rhizomorphic, post-national. The Black Atlantic subject described by Paul Gilroy. Rather than simply attribute Brown’s music as a reiteration of African diasporic musical legacy, the paper instead attempts to define Brown’s funk as the work of a becoming-subject, where the creativity of the minority in these “any-space-whatevers” is due to being thrown into the creative chaos of an intolerable position.
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References
Augé, M. (1995) Non-Places: Introduction to an Anthropology of Supermodernity, trans. J. Howe, New York: Verso.
Bell, J. A. (1997) 'Thinking with Cinema: Deleuze and Film Theory', Film-Philosophy, 1(8), available online at http://www.film-philosophy.com/vol1-1997/n8bell, 3 August 2004.
Deleuze, G. (1986) Cinema 1: The Movement-Image, trans. H. Tomlinson and B. Habberjam, Minneapolis: University of Minnesota.
Deleuze, G. (1989) Cinema 2: The Time Image, trans. H. Tomlinson and R. Galeta, London: Athlone Press.
Deleuze, G., and Guattari, F. (1988) A Thousand Plateaus: Capitalism and Schizophrenia, trans. B. Massumi, London: Athlone Press.
Gilroy, P. (1993) The Black Atlantic: Modernity and Double Consciousness, Cambridge, Mass: Harvard University Press.
Gilroy, P. (2004) 'It's a Family Affair', in M. Forman and M. A. Neal (eds), That's the Joint! The Hip-Hop Studies Reader, New York: Taylor and Francis: 87-103.
Keyes, C. L. (2002) Rap Music and Street Consciousness, Urbana, Ill.: University of Illinois Press.
Massumi, B. (1992) A User's Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari, Cambridge, Mass.: MIT Press.
Neal, M. A. (2002) Soul Babies: Black Popular Culture and the Post-Soul Aesthetic, New York; London: Routledge.
Stivale, C. J. (2005) 'Duelling Augé's - Pascal and Marc', August 11, 2005 available online at from http://www.langlab.wayne.edu/CStivale/D-G/DuellingAuge.html, 15 March 2006.
Werner, C. (2000),A Change Is Gonna Come: Music, Race and the Soul of America, Edinburgh: Payback.
Bell, J. A. (1997) 'Thinking with Cinema: Deleuze and Film Theory', Film-Philosophy, 1(8), available online at http://www.film-philosophy.com/vol1-1997/n8bell, 3 August 2004.
Deleuze, G. (1986) Cinema 1: The Movement-Image, trans. H. Tomlinson and B. Habberjam, Minneapolis: University of Minnesota.
Deleuze, G. (1989) Cinema 2: The Time Image, trans. H. Tomlinson and R. Galeta, London: Athlone Press.
Deleuze, G., and Guattari, F. (1988) A Thousand Plateaus: Capitalism and Schizophrenia, trans. B. Massumi, London: Athlone Press.
Gilroy, P. (1993) The Black Atlantic: Modernity and Double Consciousness, Cambridge, Mass: Harvard University Press.
Gilroy, P. (2004) 'It's a Family Affair', in M. Forman and M. A. Neal (eds), That's the Joint! The Hip-Hop Studies Reader, New York: Taylor and Francis: 87-103.
Keyes, C. L. (2002) Rap Music and Street Consciousness, Urbana, Ill.: University of Illinois Press.
Massumi, B. (1992) A User's Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari, Cambridge, Mass.: MIT Press.
Neal, M. A. (2002) Soul Babies: Black Popular Culture and the Post-Soul Aesthetic, New York; London: Routledge.
Stivale, C. J. (2005) 'Duelling Augé's - Pascal and Marc', August 11, 2005 available online at from http://www.langlab.wayne.edu/CStivale/D-G/DuellingAuge.html, 15 March 2006.
Werner, C. (2000),A Change Is Gonna Come: Music, Race and the Soul of America, Edinburgh: Payback.