A Band Without Walls at the End of the World: The Green Mist, Next Stop Antarctica and the Tasmanian geographic imaginary
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Abstract
The Green Mist is a floating international blues entity which evolved in the deep south of Tasmania. Featuring former members of the Violent Femmes and Beasts of Bourbon, the Mist’s first album Next Stop Antarctica represents a vivid evocation of the peculiar strangeness of the island’s atmosphere, history and environment. Musician Julien Poulson’s father Bruce was a historian who lived in a derelict organic garlic farm in the small town of Southport; an area that is often bitterly cold, perpetually gloomy, bleak yet strangely beautiful. Bruce was one of the people who discovered the remains of a garden built in 1792 by French explorers in Recherche Bay, and this discovery was later used to help protect the site from logging. While his dad was dying of cancer, Julien helped him put together his final book about Recherche Bay’s history and later many of these old stories formed the basis of album tracks. Using The Green Mist as a case study, this paper will explore the links between physical place of production and creation; the use of both individual memory and historical narratives in song writing; and the extent to which these factors form part of a conscious or deliberate strategy.
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Ball, M. (2003) "Pastoral and Gothic in Sculthorpe's Tasmania", TriQuarterly, 116:115-124.
Bennett, A. (2002) "Music, Media and Urban Mythscapes: A Study of the 'Canterbury Sound'", Media Culture Society, 24: 87-100. https://doi.org/10.1177/016344370202400105
Bennett, A. (2004) "Music, Space and Place". In Whitely, S., Bennett, A. & Hawkins, S. (eds) Music, space and place: popular music and cultural identity, Aldershot: Ashgate.
Casey, E. (1987) Remembering: A Phenomenological Study, Bloomington: Indiana University Press.
Conrad, P. (1988) Down Home: Revisiting Tasmania, London: Chatto & Windus.
Davidson, J. (1989) "Tasmanian Gothic", Meanjin, 48(2): 307-324.
Flanagan, M. (1999) "The Hunt for Tasmania", The Age, 14 Aug. p.4.
Herbert, T. (2002) "The Van Diemenising of Tasmania", Australian Author, 34(2): 18-23.
Keith, M., & Pile, S. (eds.) (1993) Place and the Politics of Identity, London: Routledge.
Leyshon, A., Matless, D., & Revill, G. (eds.) (1998) The Place of Music. New York: The Guilford Press.
Lippard, L. (1997) The Lure of the Local: Senses of Place in a Multicentered society, New York: The New Press.
Lipsitz, G. (1994) Dangerous Crossroads: Popular music, Postmodernism and the Poetics of Place, London: Verso.
Lowenthal, D. (2007) "Islands, Lovers and Others", The Geographical Review, 97(2), 202-229. https://doi.org/10.1111/j.1931-0846.2007.tb00399.x
Massey, D. (1999) "Space-time, 'Science' and the relationship between physical geography and human geography", Transactions of the Institute of British Geographers, 24(3): 261-276. https://doi.org/10.1111/j.0020-2754.1999.00261.x
Maxwell, I. (2006) "'Runnin' Amok': An Acoustemology of Place Resounding in Penrith, Western Sydney", in McAuley, G., (ed.) Unstable Ground: Performance and the Politics of Place, Brussels: P.I.E. Peter Lang, 45-61.
McAuley, G. (2006) "Remembering and Forgetting: Place and Performance in the Memory Process", in McAuley, G. (ed) Unstable Ground: performance and the politics of place, Brussels: PIE Peter Lang: 149-176.
Soja, E. (1996) Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places, Oxford: Basil Blackwell.
Tumarkin, M. (2001) "'Wishing You Weren't Here…': Thinking about Trauma, Place and the Port Arthur Massacre", Journal of Australian Studies, 67: 196-208. https://doi.org/10.1080/14443050109387653
Whiteley, S., Bennett, A., & Hawkins, S. (eds.) (2004) Music, Space and Place: Popular Music and Cultural Identity. Aldershot, UK: Ashgate.