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Speech Acts:

Richard Grayson and Matt Mullican
Wes Hill
Speech Acts: Richard Grayson and Matt Mullican

Speech Acts: Richard Grayson and Matt Mullican illuminates the video-based practices of these two internationally acclaimed artists, who use the format of the monologue to construct and narrate hypothetical worlds.

British artist Richard Grayson imbues vernacular culture with a sense of classicism, extracting layers of meaning from an array of subject matter, including scientific explanations, flash-mob videos, dinner party conversations and purposefully bad jokes.

By contrast, American artist Matt Mullican​ examines the circularities of language, conducting performances under hypnosis to vacillate between primal and public speech. Who is it we are watching as Mullican performs in an hypnotic state? How do we interrogate and categorise what is being created?

The book includes video excerpts of Mullican’s first ever performance under hypnosis in Australia (staged in collaboration with Sydney’s National Art School at the iconic Cell Block Theatre, a former nineteenth-century women’s prison) and a selection of Grayson’s scripted compositions, which combine political acuity with dry wit.

Author Wes Hill, having curated Grayson and Mullican in a 2015 exhibition at UTS Gallery, unpacks them further in a fascinating essay on both artists, examining their obsessions with language, performance and the nature of interpretation, which arise in their works to engage and sometimes unsettle viewers.


This book contains videos and is only available in the ePub format. Most eReaders can open ePub files, including Kobo, Nook, and Sony eReader. Apple devices and computers will open ePub files in iBooks. If using a PC or android mobile device, you may need to install eReader software (available as a free download) to your device, computer or internet browser to read eBooks using the ePub format.

About the Author: 

Dr. Wes Hill is an author, curator, artist and academic. 

His previous books include How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics (2016) and Emily Floyd: The Dawn (2014). Wes has curated contemporary art exhibitions throughout Australia, and, with Wendy Wilkins, his collaborative art works have been exhibited at institutions such as the Museum of Contemporary Art (Sydney), the Perth Institute of Contemporary Arts, and the Queensland Art Gallery. His art criticism regularly appears in publications such as Artforum, Frieze, Eyeline and Broadsheet.

He currently lectures in art history, visual culture and curatorial studies at Southern Cross University, Northern New South Wales, Australia.