Abstract:
At the heart of philosophical investigation is the question of what it means to be a
human being. This is not simply a matter of ontology, but a matter of definitions,
language, ethics, relationships and responsibilities. What it means to be, how to live
according to sound epistemological and axiological frameworks, and how to articulate
this, are questions that perhaps will never be answered in a satisfactory manner. This
submission constitutes my contribution to the long discussion, and is presented as three
separate but related research products. The story I found myself telling, in the essay and
the two creative manuscripts, is one of ambiguity and uncertainty, of the human body,
and of the being that is always shifting between self and other, nature and culture, living
and dead.
The exegetical essay, Preparing a Labyrinth, lays out the intellectual and
creative pathways I have travelled while engaging critically with questions of the body,
truth and narrative. The short story collection, Ways of Getting By, addresses the
pragmatics of being in a troubled world, and the material consequences of apparently
abstract choices about the ‘right thing to do’, or ‘ways of getting by’. The fiction
manuscript, The Idea of Gravity, similarly addresses the effects of decisions about
ethical problems, and looks too to the effects on subjectivity of the workings – and the
disintegration – of the body.
All three works are the products of a research process that combined some of the
classic formulations of early twentieth-century phenomenological thought with
contemporary insights from biologists, neurologists and scholars of the virtual world of
IT, and my own observation, archival and phenomenological research methods. Using
this material, I have generated a mass of creative and qualitative data, and used it to
examine a perspective on the nature, and the ethics, of being, that resulted in the thesis
presented here. All three elements take seriously the labyrinthine properties of language
and its role in constructing our sense of ourselves and of the world in which we live. All
use language as material to craft a way of sensing the social and natural world. All
three, too, take seriously the place of death in society as ‘the problem of the subject’
(Certeau), that which is ‘too cruel anywhere’ (Shakespeare), and is yet always there, at
once the great inevitability and the great uncertainty.
