Trip down memory lane : revisiting red classics as television drama in post - Mao China

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dc.contributor.author Gong, Qian
dc.date.accessioned 2011
dc.date.accessioned 2012-12-15T03:53:42Z
dc.date.available 2012-03-09T05:12:15Z
dc.date.available 2012-12-15T03:53:42Z
dc.date.issued 2011
dc.identifier.uri http://hdl.handle.net/2100/1295
dc.identifier.uri http://hdl.handle.net/10453/20404
dc.description University of Technology, Sydney. Faculty of Arts and Social Sciences.
dc.description.abstract In the post-Mao era, the boundaries of the Red Classics, the canonical Chinese socialist literary and theatrical works, and the values and aesthetics they promoted were transgressed. By adopting the “circuit of cultures” as a methodology, this thesis explicates how a canonical body of texts created to politicise and educate socialist citizens has been transformed into TV dramas appealing to an increasingly sophisticated, demanding audience. The study situates the transformation of the genre within the context of China’s transition from a Maoist socialist society to a neoliberal one. The TV adaptation of the Red Classics embodies the transition from an era dominated by mass production and consumption for ideological control to an era in which political indoctrination and market differentiation compete for audiences in contemporary China. In this process, the norms and standards prescribed by the Red Classics have been dismantled, subverted, transgressed, and re-written. en
dc.language.iso en en
dc.subject Television. en
dc.subject Drama. en
dc.subject Red classics. en
dc.subject China. en
dc.subject Socialism. en
dc.subject Adaptations. en
dc.subject Neoliberalism. en
dc.title Trip down memory lane : revisiting red classics as television drama in post - Mao China en
dc.type Thesis (PhD) en


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