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| dc.contributor.author | Edwards, Sandy | |
| dc.date.accessioned | 2010-04-29T01:49:43Z | |
| dc.date.accessioned | 2012-12-15T03:24:22Z | |
| dc.date.available | 2010-04-29T01:49:43Z | |
| dc.date.available | 2012-12-15T03:24:22Z | |
| dc.date.issued | 2010-04-29T01:49:43Z | |
| dc.identifier.uri | http://hdl.handle.net/2100/1043 | |
| dc.identifier.uri | http://hdl.handle.net/10453/19964 | |
| dc.description | Essay by 'The Challenged Landscape' exhibition curator Sandy Edwards. | en |
| dc.description.abstract | In 1980 I met Bonita Ely in Rundle Street Mall Adelaide at a performance titled Murray River Punch (1980). She was wearing a twin set and pearls as she offered passersby a lethal cocktail containing a recipe of contents drawn from the Murray River. It was a time when the women’s art movement was a proactive force and my head was full of feminist ideas. I had no knowledge there was a problem with Australia’s landscape, yet from 1977 the Murray River was showing signs of stress with higher than normal levels of salt. | en |
| dc.language.iso | en | en |
| dc.title | The Challenged Landscape | en |
| dc.type | Article | en |
