Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 tour of Europe

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dc.contributor.author Hurley, Andrew en_US
dc.date.accessioned 2009-08-20T13:01:49Z
dc.date.available 2009-08-20T13:01:49Z
dc.date.issued en_US
dc.date.issued 2006 en_US
dc.identifier 2006009512 en_US
dc.identifier.citation Hurley Andrew 2006, 'Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 tour of Europe', John Libbey & Company, vol. 8, no. 1, pp. 3-21. en_US
dc.identifier.issn 1038-2909 en_US
dc.identifier.other C1UNSUBMIT en_US
dc.identifier.uri http://hdl.handle.net/10453/998
dc.description.abstract In late 1966, a group of Indonesian jazz musicians approached the energetic West-German broadcaster, writer and so-called 'jazz pope' Joachim-Ernst Berendt with the proposal that he assist them in mounting a tour of Europe. This tour represented what E. Taylor Atkins, a historian of Japanese jazz, calls a 'strategy of authentication', intended to secure the playing experience these musicians craved (2001: 12). It would be the first time that a group of Indonesian jazzmen perfonned on the international stage. As it transpired, their tour also generated an early instance of proto- 'world music'. en_US
dc.publisher John Libbey & Company en_US
dc.title Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 tour of Europe en_US
dc.parent Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture en_US
dc.journal.volume 8 en_US
dc.journal.number 1 en_US
dc.publocation Sydney, Australia en_US
dc.identifier.startpage 3 en_US
dc.identifier.endpage 21 en_US
dc.cauo.name FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 200200 en_US
dc.personcode 102435 en_US
dc.percentage 100 en_US
dc.classification.name Cultural Studies en_US
dc.classification.type FOR-08 en_US
dc.staffid 102435 en_US


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