Structure in Art Practice: Technology as an Agent for Concept Development

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dc.contributor.author Edmonds, Ernest en_US
dc.date.accessioned 2009-08-20T13:01:47Z
dc.date.available 2009-08-20T13:01:47Z
dc.date.issued 2002 en_US
dc.identifier 2006011732 en_US
dc.identifier.citation Edmonds Ernest 2002, 'Structure in Art Practice: Technology as an Agent for Concept Development', MIT Press, vol. 35, no. 1, pp. 65-71. en_US
dc.identifier.issn 0024-094X en_US
dc.identifier.other C1UNSUBMIT en_US
dc.identifier.uri http://hdl.handle.net/10453/981
dc.description.abstract The exhibition Constructs and Re-Constructions provided a survey of the author's artwork and formed the basis for this paper. It included four prints, consisting of notes based on early documentation, represent- ing four different conceptual stages in using computer technology. As each is dis- cussed in turn, it is shown that the computer provides a significant enhancement to our ability to handle and consider the underlying structures of art- works and art systems in the many forms that they may take. In the work discussed, while the conceptual developments are the key issues, the role of the technology in encouraging, enabling and inspiring them has also been central en_US
dc.publisher MIT Press en_US
dc.title Structure in Art Practice: Technology as an Agent for Concept Development en_US
dc.parent Leonardo: Art Science and Technology en_US
dc.journal.volume 35 en_US
dc.journal.number 1 en_US
dc.publocation UK en_US
dc.identifier.startpage 65 en_US
dc.identifier.endpage 71 en_US
dc.cauo.name FEIT.A/DRsch Ctre for Human Centred Technology Design en_US
dc.conference Verified OK en_US
dc.for 080602 en_US
dc.personcode 021076 en_US
dc.percentage 50 en_US
dc.classification.name Computer-Human Interaction en_US
dc.classification.type FOR-08 en_US
dc.staffid 021076 en_US


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