Samuel Beckett, Claude Simon and the Mise En Abyme of Paradoxical Duplication

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Show simple item record Macris, Anthony en_US
dc.contributor.editor UHLMANN, Anthony, Sjef HOUPPERMANS, Bruno CLEMENT en_US 2010-05-28T09:41:04Z 2010-05-28T09:41:04Z 2004 en_US
dc.identifier 2009000077 en_US
dc.identifier.citation Macris Anthony 2004, 'Samuel Beckett, Claude Simon and the Mise En Abyme of Paradoxical Duplication', in NA (ed.), Rodopi, The Netherlands, pp. 117-130. en_US
dc.identifier.issn 0927-3131 en_US
dc.identifier.other B1UNSUBMIT en_US
dc.description.abstract In his seminal study of novelistic mise en abyme structures, The Mirror in the Text, Lucien Dallenbach identifies a type he calls the mise en abyme of paradoxical duplication. Characterised by an extreme self-reflexivity, Dallenbach explores the operations of this literary trope in the later novels of the nouveau roman, particularly those of Claude Simon and Samuel Beckett. This article explores how Simon and Beckett employ this device with radically different results, Simon's forming part of a textual poetics that engages with the material and social, while Beckett's tends to a privileging of the selfreflexivity of language. en_US
dc.language en_US
dc.publisher Rodopi en_US
dc.relation.isbasedon NA en_US
dc.title Samuel Beckett, Claude Simon and the Mise En Abyme of Paradoxical Duplication en_US
dc.parent After Beckett/D'apres Beckett en_US
dc.journal.volume 14 en_US
dc.journal.number 1 en_US
dc.publocation The Netherlands en_US
dc.identifier.startpage 117 en_US
dc.identifier.endpage 130 en_US FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 190402 en_US
dc.personcode 103737 en_US
dc.percentage 100 en_US Creative Writing (incl. Playwriting) en_US
dc.classification.type FOR-08 en_US
dc.edition 1 en_US
dc.custom en_US en_US
dc.location.activity en_US
dc.description.keywords NA en_US
dc.staffid en_US
dc.staffid 103737 en_US

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