Batik and Pewter: Symbols of Malaysian pianissimo

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dc.contributor.author Leigh, Barbara en_US
dc.date.accessioned 2010-05-14T07:47:30Z
dc.date.available 2010-05-14T07:47:30Z
dc.date.created 2010-05-14T07:47:30Z en_US
dc.date.issued 2002
dc.date.issued 2002 en_US
dc.identifier 2004003082 en_US
dc.identifier.citation Leigh Barbara 2002, 'Batik and Pewter: Symbols of Malaysian pianissimo', Institute of Southeast Asian studies, vol. 17, no. 1, pp. 94-109. en_US
dc.identifier.issn 0217-9520 en_US
dc.identifier.other C1 en_US
dc.identifier.uri http://hdl.handle.net/10453/6507
dc.description.abstract In an era of globalization, the production and consumption of material symbols to represent or encapsulate aspects of national identity usually embodies the economic decisions of major business players who link with political stakeholders for mutual advantage. For example, the staging of the 2000 Olympic Games in Sydney saw certain businesses having the "rights" to produce particular icons that were promoted as depicting "Australia". Similarly, when the Commonwealth Games were staged in Kuala Lumpur in 1998, the selling of Malaysia to the outside world included a wide range of artifacts. en_US
dc.publisher Institute of Southeast Asian studies en_US
dc.relation.isbasedon en_US
dc.rights Copyright by publisher: Institute of Southeast Asian Studies, Singapore en_US
dc.title Batik and Pewter: Symbols of Malaysian pianissimo en_US
dc.parent Sojourn: Journal of Social Issues in Southeast Asia en_US
dc.journal.volume 17 en_US
dc.journal.number 1 en_US
dc.publocation Singapore en_US
dc.identifier.startpage 94 en_US
dc.identifier.endpage 109 en_US
dc.cauo.name FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 160512 en_US
dc.personcode 960967 en_US
dc.percentage 100 en_US
dc.classification.name Social Policy en_US
dc.classification.type FOR-08 en_US
dc.staffid 960967 en_US


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