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Browsing 19 Studies in Creative Arts and Writing by Title

Browsing 19 Studies in Creative Arts and Writing by Title

Now showing items 126-145 of 405

Gagging the past

Schlunke Katrina (Routledge, 2005)

This piece is concerned wth the many ways in which the idea of gagging has been and could be connected to the idea of the past. There have been specific claims from Windschuttle and others that there has been a gagging ...
Gender and discipline: publication practices in design

Clerke Christeena (Intellect, 2010)

Design research and writing began to appear in scholarly journals over 30 years ago, coinciding in Australia with the transition of Design education into universities. Concurrently, a significant increase in the number of ...
Generative Art: From Analogue to Digital Formations

Leggett Michael (Creativity and Cognition Studio press, UTS, Sydney, 2005)

A description of some informal research from the 1970s a period when myself and others explored iterative and generative systems using motion picture film. The approach was practice-based and occurred in a context of ...
Generative Film: Analogue to Digital Migration

Leggett Michael (Monash University, 2005)

As a model of creativeness and the creative processes involving an analogue generative system, reference will be made to the eight-minute film Red+Green+Blue. Based on Notes made at, and shortly after, the time of its ...
Generative Systems and the Cinematic Spaces of Film and Installation Art

Leggett Michael (Massachusetts Institute of Technology Press, 2007)
A German Reunion / Deutschland eine Wiederbegegnung

Morton Thomas (ABC, 2010)

These 2 radio documentaries (one in English, one in German) explore how German society has changed in the 20 years since reunification, seen through the eyes of characters the author had interviewed for a previous documentary ...
Gesture-Controlled Interaction with Aesthetic Information Sonification

Beilharz Kirsty (Creativity and Cognition Press, 2005)

Information representation in augmented and virtual reality systems, and social physical (building) spaces can enhance the efficacy of interacting with and assimilating abstract, non-visual data. Sanification is the process ...
Ghosts of a Better Tomorrow: Looking Back at the Formalism of Late 1980s Film Workshop Productions

Gibson, R. J (Routledge (Taylor and Francis Group), 2006)
Ghostwriting + Shadowwriting: constructing research texts that speak to women's lived experience

Clerke Christeena (Queensland University of Technology, 2009)

This paper discusses the methodological strategies of ghostwriting and shadowwriting in the context of a feminist research project about women design academics. Central to these strategies is the idea that the practice ...
The Gift of the Hinterland

Barrell Anthony (Griffith University, 2008)

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Global Dynamics Approach to Generative Music Experiments with One Dimensional Cellular Automata

Burraston David; Edmonds Ernest (Australasian Computer Music Association, 2004)

One Dimensional Cellular Automata (CA) offer the use of emergent computation and behaviours as compositional aids to the generative music process. Global dynamics and rule clustering are important concepts in CA research, ...
Globalization and the Public Sphere: The Space of Community Media in Sydney

Couldry Nick; Dreher Tanja (SAGE Publications, 2007)
Go This Way

Caines Christopher (http://www.acmi.net.au/publications_2004.htm, 2004)
The Graphic Expression of the Lives, Obsessions, and Objections of Small Press Sick Puppies and Scat(ology) Cats; a short survey of some aspects of Australian alternative comics 1990-2000-

Hill Michael (John Lent, 2007)
Graphic Material

Seymour, Aaron (UTS Gallery, 2010-08-03)

Design disciplines are often thought of in terms of their material output: architects make buildings, industrial designers products, fashion designers clothes. For visual communicators this pairing is seen to be with ...
Hadrian in Hell

Falconer Delia (Blank Inc, 2004)
Harbour Moods Ephemeral

Beilharz Kirsty (Australian Music Centre, 2009)

Background This is a brief solo piano work contributing to professional contemporary repertoire for the piano. The work is a fleeting allusion to the rapidly transforming moods, colours, light and reflections of Sydney ...
(the heart that has no love/pain/generosity is not a heart)

Sivanesen, Haema (UTS Gallery, 2010-09-14)

The grids of portraits in Salloum and Alis’ installation intrigue me, as they represent encounters – however fleeting – that are not unlike my encounter with Mohammed. Encounters with strangers who disarm you. Strangers ...
Hei-fen and Musical subtexts in Two Australian Films by Clara Law

Mitchell Anthony (John Libbey, 2005)
Henry James, Affect and the Writer/Researcher in the Academy

Cole Catherine (Taylor and Francis, 2007)

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Browsing 19 Studies in Creative Arts and Writing by Title

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Browsing 19 Studies in Creative Arts and Writing by Title