Browsing 19 Studies in Creative Arts and Writing by Title

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  • Browsing 19 Studies in Creative Arts and Writing by Title

Browsing 19 Studies in Creative Arts and Writing by Title

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  • The Field 
    Caines Christopher; O'Neill Shannon; Tyrell Jessica (, 2009)
    The Field - an improvised audiovisual performance by Chris Caines, Shannon o'Neill and Jes Tyrrell. This performance will take place at 8pm on Thursday the 25th of June in the Bon Marche Studio, UTS. It is part of the ...
  • Fighting a Lost Campaign: Austac and Australia's Advertising Industry 
    Crawford Robert (Carfax, 2006)
  • Filmic Voices 
    Macallan Helen; Plain Andrew (The MIT Press, 2010)
    NA
  • Finding an audience for role-play: refreshing role-play through theatre arts 
    Collier Katharine (Napier University, 2004)
    This article takes a fresh look at role-play and considers whether it has the potential to reach parts of learning it has not reached before. It will do this by highlighting the connections between role-play and theatre ...
  • Five Imaginary Drugs (multi channel video) 
    Caines Christopher (Arte Neuvo Interactiva, 2003)
    Background - My inclusion in this Biennale was facilitated by the Cuban curator Raul Moarquech Ferrera-Balanquet whom I met in 2001 while doing an Asialink residency at Chulalongkorn University in Bangkok. When he asked ...
  • ...fluid lines... 
    De Santolo Jason (Cambridge Scholars Publishing, 2008)
  • A Forest. A Clearing 
    Gibson, R. J (National Academy of Screen and Sound, 2006)
    This paper examines the modes of engagement activated when participants are immersed in extra-cinematic, audiovisual art installations. These modes - simultaneously intensely involved and reflectively critical- are shown ...
  • Freedom of Speech Issues in Toohey v Peach and a Hypothetical Variant of that case 
    Keyzer, P. (Auckland University of Technology, 2004)
  • From Aboriginal Australia to German Autumn: on the West German reception of thirteen 'films from Black Australia' 
    Hurley Andrew (Intellect, 2009)
    This article examines some aspects of the West German reception of a series of Australian films about Aborigines ¿ including Peter Weir's The Last Wave (1977), Phillip Noyce's Backroads (1977) and Michael Edols' Lalai and ...
  • From Audience to Inhabitant: Interaction as a medium in architecture 
    Jakovich Joanne; Beilharz Kirsty (Creativity and Cognition Studios Press, 2006)
    This paper presents a framework for conceiving and implementing interaction as a medium in architecture. Architecture is the theoretical and practical art of creating a plan of a complex object or system in which the ...
  • From 'gee whizz' to 'shock-horror': The limited frameworks of science journalism 
    Reed, R. (University of Queensland, 2002)
    Survey research reveals journalists' and scientists' dissatisfaction with science in the media. Little content-analysis research is available. This article presents a quantitative and qualitative content analysis of ...
  • From movable type to moving type - evolution in technological mediated typography 
    Bachfischer Gerhard; Robertson Toni (Apple University Consortium, 2005)
    Written texts are more and more consumed in a multitude of different environments and media: on screens or device displays, at home, in offices or in public spaces, in quiet, private places or in noisy surroundings; ...
  • From vietnam to iraq: negative trends in television war reporting 
    Maniaty Anthony (School of Communication Studies, Auckland University of Technology, 2008)
    In 1876, an American newspaperman with the US 7th Cavalry, Mark Kellogg, declared: `I go with Custer, and will be at the death.¿ This overtly heroic pronouncement embodies what many still want to believe is the greatest ...
  • Gagging the past 
    Schlunke Katrina (Routledge, 2005)
    This piece is concerned wth the many ways in which the idea of gagging has been and could be connected to the idea of the past. There have been specific claims from Windschuttle and others that there has been a gagging ...
  • Gender and discipline: publication practices in design 
    Clerke Christeena (Intellect, 2010)
    Design research and writing began to appear in scholarly journals over 30 years ago, coinciding in Australia with the transition of Design education into universities. Concurrently, a significant increase in the number of ...
  • Generative Art: From Analogue to Digital Formations 
    Leggett Michael (Creativity and Cognition Studio press, UTS, Sydney, 2005)
    A description of some informal research from the 1970s a period when myself and others explored iterative and generative systems using motion picture film. The approach was practice-based and occurred in a context of ...
  • Generative Film: Analogue to Digital Migration 
    Leggett Michael (Monash University, 2005)
    As a model of creativeness and the creative processes involving an analogue generative system, reference will be made to the eight-minute film Red+Green+Blue. Based on Notes made at, and shortly after, the time of its ...
  • Generative Systems and the Cinematic Spaces of Film and Installation Art 
    Leggett Michael (Massachusetts Institute of Technology Press, 2007)
  • A German Reunion / Deutschland eine Wiederbegegnung 
    Morton Thomas (ABC, 2010)
    These 2 radio documentaries (one in English, one in German) explore how German society has changed in the 20 years since reunification, seen through the eyes of characters the author had interviewed for a previous documentary ...
  • Gesture-Controlled Interaction with Aesthetic Information Sonification 
    Beilharz Kirsty (Creativity and Cognition Press, 2005)
    Information representation in augmented and virtual reality systems, and social physical (building) spaces can enhance the efficacy of interacting with and assimilating abstract, non-visual data. Sanification is the process ...