Browsing 19 Studies in Creative Arts and Writing by Title

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Browsing 19 Studies in Creative Arts and Writing by Title

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  • Knight Alan (http://ejournalist.com.au/, 2010)
    Much of the pessimism expressed about journalism's future and the negative impact of the internet, has emanated from western countries, where journalism often has been dominated by large, traditional, privately owned, ...
  • Bacon Wendy (Journalism Education Association, 2006)
  • O'Donnell Penelope (Journalism Education Association, 2006)
    This article presents a response to the question: "Is there more to journalism education than workforce reproduction through socialisation to the profession and, if so, what is it?" The response is developed in two ...
  • Van Rijswijk Honni (Rodopi, 2008)
    It is often said that feminists, especially radical lesbian feminists, are not funny. Conservatives have levelled lack of humour at feminists as a political weapon, as a sort of baseline attack: the claims of feminists, ...
  • Bednarek Monika (John Benjamins, 2009)
    Interpersonal or evaluative meaning has been described in systemic functional linguistics with the help of appraisal theory (Martin & White 2005), which distinguishes between different types of evaluation. One sub-system ...
  • Mcmanus Jacqui; Collier Katharine (Oval UTS, 2005)
    This paper examines the use of learning partnership groups in a ten day Australian Taxation Office (ATO) workplace training program. Learning partnerships in this context are "learning relationships involving occasional ...
  • Dale John (Fourth Estate, 2010)
    He knows what he wants . . .just not how to get it Everyone at work wants to know why an associate professor of philosophy would stoop to having sexual relations with a man as spectacularly unsuccessful as myself. Well, ...
  • Vanni Accarigi Ilaria; Tari Marcello (Fibreculture Publications, 2005)
  • Feltham, H. (Australian Asian Arts Society, 2004)
  • O'Neill Shannon; Byrne Ben (, 2005)
    Background Experimental music and sound art events in Sydney have mostly occurred in artist run spaces, which are often not appropriate for focused listening and deep engagement with work. Such events are also often ...
  • O'Neill Shannon; Byrne Ben (, 2006)
    Background Liquid Architecture, Australia's national festival of sound arts, made a successful Sydney debut in 2005, developing audiences for sound art through diverse, high quality programming. 2006 saw the challenge of ...
  • O'Neill Shannon; Byrne Ben (, 2007)
    Background Liquid Architecture, Australia's national festival of sound arts, made a successful Sydney debut in 2005, developing audiences for sound art through diverse, high quality programming. 2006 saw the challenge of ...
  • Benjamin Andrew (PNU Press, 2005)
  • Donald Stephanie (Rowman and Littlefield, 2005)
  • Muller Elizabeth; Edmonds Ernest (AM Press, 2006)
    This paper describes the development of laboratory concepts in the making and curating of interactive art, in which the exhibition becomes a site for collaboration between curators, artists, and audiences. It describes ...
  • Dwyer Catherine (ABC Radio National, 2005)
    Description: This feature documentary follows the story of Chris Nolan, who lives in an aged care nursing home, and the family and friends who support him. When Nolan was 28 years old he suffered a hypoxic brain injury ...
  • Edmonds Ernest (Swets Zeitlinger Publishers, 2003)
    Logic programming provides ways of composing time-based generative art that has great advantages for art practice. It is very concise and productive in enabling thinking at the structural level. Furthermore, it is ...
  • Thomas Martin (Melbourne University Press, 2005)
    THERE was a time when the corners of his tiny work space were discernible. Now they are indeterminate behind towers of bric-a-brac, and the walls are concealed by binders, papers, audio tapes, maps, photographs, books. ...