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  • Cellular Automata in MIDI based Computer Music 
    Burraston David; Edmonds Ernest; Livingston Dan; Miranda Eduardo Reck (International Computer Music Association, 2004)
    This paper will present a survey of electronic music and sonic art applications of Cellular Automata in the MIDI domain, and of the implications of that work for future developments. Algorithmic and computational processes ...
  • Charmed circle - an interactive toy for musicians 
    Johnston Andrew; Marks Benjamin; Edmonds Ernest (Research Publishing Services, 2006)
    This paper describes the development of an interactive musical toy, designed to be used by musicians. The design process, which involved close collaboration between a composer/musician and a technician/musician, is ...
  • Computation, interaction and imagination: Into virtual space and back to reality 
    Edmonds Ernest; Candy Linda (IOS Press, 2005)
    The main aim of the research from which this paper arises is to identify requirements of computer support for creative work by investigating the work of artists and exploring the potential of new creative technology in ...
  • Creative Presence: Supporting Artistic Collaborations 
    Costello Brigid; Weakley Alastair; Edmonds Ernest (Universidad Politecnica de Valencia, 2004)
    Our discussion focuses on the design of creativity support systems. We describe a dedicated support system and the results of its evaluation. We then analyze a creative collaboration that was carried out without such ...
  • Designing a movement-based interactive experience using empirically derived personas and scenarios 
    Kan Melanie; Robertson Toni; Muller Elizabeth; Sadler Kirsten (IDWoP, 2005)
    This research project draws together two areas; interactive art and Human-Computer Interaction (HCI). This paper describes the data collection of audience behaviour in a variety of museum and gallery locations. Subsequent ...
  • Different Spaces, Different Times 
    Neumark Norie (RMIT Publishing, 2005)
    This paper will investigate the different spaces and different times of radio and the Internet .. This is part of the wider question of how sound art is playing out in digital culture. I will look specifically at the ...
  • Dislocated Sound: A Survey of Improvisation in Networked Audio Platforms 
    Mills Roger (University of Technology, Sydney., 2010)
    The evolution of networked audio technologies has created unprecedented opportunities for musicians to improvise with instrumentalists from a diverse range of cultures and disciplines. As network speeds increase and latency ...
  • Enhancing information acquisition in game agents 
    Welsh Sebastian; Pisan Yusuf (CSREA, 2005)
    Significant enhancements in the capabilities of software agents can result through improving how they acquire information. Decision making depends on getting the right information, but the issue of what actually constitutes ...
  • The ethical journalist: oxymoron or aspiration? 
    Joseph Sue (The Australasian Association of Writing Programs, 2011)
    Year after year, Australian newspaper journalism cannot seem to make it out of the bottom four of the thirty most distrusted professions, pipped only by car salesmen, advertisers and estate agents. Taking an historical ...
  • Evaluating Europe ⿿ Parameters of evaluation in the British press 
    Bednarek Monika (Equinox, 2006)
  • Everything I learned from the SIMS(TM): putting games in context 
    Pisan Yusuf (IADIS, 2005)
    Integrating new technologies into the curriculum has always been difficult. Despite the recent technological advances in computer games, the rapid growth of the industry and the number of hours spent playing games, computer ...
  • Evolving Creative Practice: A Reflection on Working with Audience Experience in Cardiomorphologies 
    Khut Poonkhin; Muller Elizabeth (RMIT University, 2005)
  • Exploration & reflection in interactive: Glasspond 
    Seevinck Jennifer; Candy Linda; Edmonds Ernest (Chisig & ACM, 2006)
    Glass Pond is an interactive artwork designed to engender exploration and reflection through an intuitive, tangible interface and a simulation agent. It is being developed using iterative methods. A study has 'been ...
  • Expressive Intention: Representations for Generative Artworks 
    Edmonds Ernest (IOS Press, 2004)
    The paper presents an argument about the different representations required for the creation of generative art works, which are made automatically from expressions of the artist's intentions about the final art form. A ...
  • Finding an audience for role-play: refreshing role-play through theatre arts 
    Collier Katharine (Napier University, 2004)
    This article takes a fresh look at role-play and considers whether it has the potential to reach parts of learning it has not reached before. It will do this by highlighting the connections between role-play and theatre ...
  • From movable type to moving type - evolution in technological mediated typography 
    Bachfischer Gerhard; Robertson Toni (Apple University Consortium, 2005)
    Written texts are more and more consumed in a multitude of different environments and media: on screens or device displays, at home, in offices or in public spaces, in quiet, private places or in noisy surroundings; ...
  • Generative Film: Analogue to Digital Migration 
    Leggett Michael (Monash University, 2005)
    As a model of creativeness and the creative processes involving an analogue generative system, reference will be made to the eight-minute film Red+Green+Blue. Based on Notes made at, and shortly after, the time of its ...
  • Global Dynamics Approach to Generative Music Experiments with One Dimensional Cellular Automata 
    Burraston David; Edmonds Ernest (Australasian Computer Music Association, 2004)
    One Dimensional Cellular Automata (CA) offer the use of emergent computation and behaviours as compositional aids to the generative music process. Global dynamics and rule clustering are important concepts in CA research, ...
  • 'He's nice but Tim': contrast in British newspaper discourse 
    Bednarek, M. A. (University of Birmingham, 2006)
    Contrast is not only “one of those general conceptions we all are acquainted with” (Rudolph 1996: 3), it is also an important notion in linguistics both for studies of information structure (e.g. Chafe 1976, Umbach 2004) ...
  • A Home for Heroes: The Incredibles Domestic Design 
    Hill Michael (UTS: Design, Architecture and Building, 2005)
    In the animated film The Incredibles (2004) a dysfunctional family of superheroes is forced to go undercover and to refrain from practising heroic deeds and demonstrating their special powers. In an attempt to give it ...