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  • Technology and power in immigration detention: Communicating fear in and about detained asylum seekers 
    Leung Linda (Massey University, 2008)
    The paper examines how fear is communicated to refugees, asylum seekers, and the public through Australia¿s immigration policy and practice. Between 1992 and 1994, Australian law moved from permitting (but not enforcing) ...
  • Towards a Generic Framework for Situated Collaborative Storytelling 
    Hills Damian; Pisan Yusuf; Edmonds Ernest (ACM Press, 2008)
    How we assimilate stories into our common experiences and shape culture is the field of study known as narrative intelligence. By following these assumptions and investigating theories of conversation and rhetoric, this ...
  • Uncanny Interactions: A Digital Medium for Networked E.motion 
    Turner Gregory; Neumark Norie; Miranda Maria; Weakley Alastair (Creativity and Cognition Studio Press, 2004)
    Séa.nce: a networked glossalalia is a collaborative project involving a sound artist, visual artist, and a remotely-located interaction designer. The aim of the collaboration was to make a multiuser live performance work ...
  • Understanding the experience of interactive art: Iamascope in Beta_space 
    Costello Brigid; Muller Elizabeth; Amitani Shigeki; Edmonds Ernest (Creativity and Cognition Studios Press, 2005)
    This paper describes a study into the situated experience of interactive art. The study was conducted with audiences of the artwork Iamascope and is framed by the four categories of embodied experience that have been ...
  • Using Psychoacoustical Models for Auditory Display 
    Ferguson Samuel; Cabrera Densil; Beilharz Kirsty; Song Hong-Jun (ICAD, 2006)
    NA
  • Variation in musicians' experience of creating ensemble 
    Reid Anna; Petocz Peter (Australian Association for Research in Music Education, 2003)
    In this paper, we describe a research methodology phenomenography and its application in investigating the experience of an ensemble the recorder consort Fortune in negotiating a shared conception of pieces of music being ...
  • Wireless Gesture Controllers to Affect Information Sonification 
    Beilharz Kirsty (ICAD, 2005)
    This paper proposes a framework for gestural interaction with information sanification in order to both monitor data aurally and, in addition, to interact with it, transform and even modify the source data in a two-way ...
  • Words and World 
    Macris Anthony (AAWP, 2008)
    One of the paradoxes of any artistic process is the transformation of the intensities of thought and sensation into the empirical fixities of form. For novelists, the sentence, paragraph and chapter are the standard textual ...
  • Writer as Celebrity 
    Carey Gabrielle (University of Western Sydney, 2005)
    This paper looks at the phenomenon of celebrity and how it has affected publishing and the literary culture of Australia.