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  • Johnston, Andrew; Marks, Benjamin; Candy, Linda; Edmonds, Ernest (Creativity and Cognition Studios Press, 2006)
    This paper describes an ongoing project to develop interactive environments for musicians that encourage musical exploration. A process of developing software such as this, where requirements are highly dynamic and unclear ...
  • Gibson, Ross (Creativity and Cognition Stdio Press, 2004)
    In 1957 Ian Watt published The Rise of the Novel. Promptly recognised as a classic of cultural history, the book analysed ?the enduring connexions between the distinctive literary qualities of the novel and those of the ...
  • Turner, Gregory; Edmonds, Ernest; Weakley, Alastair (IEEE CS Press, 2005)
    This paper presents findings from a study of the social and technical roles of programmers in art-technology collaborations. Combined with a review of the supportive and obstructive roles of technology with respect to ...
  • Johnston, Andrew; Marks, Benjamin; Edmonds, Ernest (Creativity Cognition Studios Press, 2005)
    In this paper we describe the development of an interactive artwork which incorporates both a musical composition and software which provides a visual and aural accompaniment. The system uses physical modeling to implement ...
  • Burraston, David (Creativity and Cognition Studio Press, 2005)
  • Leung, Linda (Massey University, 2008)
    The paper examines how fear is communicated to refugees, asylum seekers, and the public through Australia?s immigration policy and practice. Between 1992 and 1994, Australian law moved from permitting (but not enforcing) ...
  • Hills, Damian; Pisan, Yusuf; Edmonds, Ernest (ACM Press, 2008)
    How we assimilate stories into our common experiences and shape culture is the field of study known as narrative intelligence. By following these assumptions and investigating theories of conversation and rhetoric, this ...
  • Turner, Gregory; Edmonds, Ernest (Computer Human Interaction Special Interest Group (CHISIG) - The Ergonomics Society of Australia, 2003)
    This paper presents the case for extending programming languages to support digital artists engaged in technologically-innovative work. The anticipated result is an "environment for building environments", which will need ...
  • Turner, Gregory; Neumark, Norie; Miranda, Maria; Weakley, Alastair (Creativity and Cognition Studio Press, 2004)
  • Costello, Brigid; Muller, Elizabeth; Amitani, Shigeki; Edmonds, Ernest (Creativity and Cognition Studios Press, 2005)
    This paper describes a study into the situated experience of interactive art. The study was conducted with audiences of the artwork Iamascope and is framed by the four categories of embodied experience that have been ...
  • Ferguson, Samuel; Cabrera, Densil; Beilharz, Kirsty; Song, Hong-Jun (ICAD, 2006)
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  • Reid, Anna; Petocz, Peter (Asutralian Association of Researchers in Music Education AARME, 2003)
  • Joseph, Sue (The Australian Association of Writing Programs, 2008)
    Ever since Tom Wolfe wrote a thirteen page essay entitled The birth of the new journalism, eyewitness report by Tom Wolfe in the Seventies, debate has raged over what this New Journalism or literary journalism or creative ...
  • Beilharz, Kirsty (ICAD, 2005)
    This paper proposes a framework for gestural interaction with information sanification in order to both monitor data aurally and, in addition, to interact with it, transform and even modify the source data in a two-way ...
  • Macris, Anthony (AAWP, 2008)
    One of the paradoxes of any artistic process is the transformation of the intensities of thought and sensation into the empirical fixities of form. For novelists, the sentence, paragraph and chapter are the standard ...
  • Carey, Gabrielle (University of Western Sydney, 2005)
    This paper looks at the phenomenon of celebrity and how it has affected publishing and the literary culture of Australia.
  • Joseph, Sue; Rickett, Carolyn (The Australian Association of Writing Programs, 2010)
    The autobiographical turn in literary studies has increasingly placed value on selfrepresentation as a strategic means of reclaiming voice, identity and agency. By and large, the narrating 'I' is circulated and read as a ...