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  • Abstraction and interaction: an art system for white noise 
    Edmonds Ernest (The Institute of Electrical and Electronic Engineers Inc (IEEE), 2006)
    This paper describes the development of an interactive audio/visual art system and discusses both the context of the work, in abstraction and noise, and the employment of audience testing as an integral part of the process.
  • Partial reflections: interactive environments for musical exploration 
    Johnston Andrew; Marks Benjamin; Candy Linda; Edmonds Ernest (Creativity and Cognition Studios Press, 2006)
    This paper describes an ongoing project to develop interactive environments for musicians that encourage musical exploration. A process of developing software such as this, where requirements are highly dynamic and unclear ...
  • Can the Media take Criticism? 
    Manning Peter (Network Insight Institute, 2007)
    There is no doubt we journalists are a thin-skinned lot. The latest example is my friend George Negus in last week¿s Sydney Morning Herald TV Guide. SBS is under attack for increasing advertisements, lowering ratings and ...
  • Alleviating Communication Challenges in Film Scoring: An Interaction Design Approach 
    Phalip Julien; Morphett Matt; Edmonds Ernest (Association for Computing Machinery, 2007)
  • Dissecting Group Identity in MMOs 
    Pisan Yusuf (Eurosis-ETI, 2007)
  • The Challenge of the ¿Post-postmodern¿ 
    Falconer Delia (Australian Association of Writing Programs, 2008)
    Using Dr Alan Kirby's essay 'The Death of Postmodernism and Beyond' as a starting point, this paper discusses his claim that we have passed from 'postmodernism' into a 'post-postmodern' era and considers what this means ...
  • Technology and power in immigration detention: Communicating fear in and about detained asylum seekers 
    Leung Linda (Massey University, 2008)
    The paper examines how fear is communicated to refugees, asylum seekers, and the public through Australia¿s immigration policy and practice. Between 1992 and 1994, Australian law moved from permitting (but not enforcing) ...
  • Towards a Generic Framework for Situated Collaborative Storytelling 
    Hills Damian; Pisan Yusuf; Edmonds Ernest (ACM Press, 2008)
    How we assimilate stories into our common experiences and shape culture is the field of study known as narrative intelligence. By following these assumptions and investigating theories of conversation and rhetoric, this ...
  • Words and World 
    Macris Anthony (AAWP, 2008)
    One of the paradoxes of any artistic process is the transformation of the intensities of thought and sensation into the empirical fixities of form. For novelists, the sentence, paragraph and chapter are the standard textual ...
  • Email as co-habitat in distributed organisations 
    Leung Linda; Humphreys Tania; Weakley Alastair (ACM Digital Library, 2008)
    Email has now become so ubiquitous that it has surpassed its early role as an asynchronous communication tool. Having contributed to the rise of the distributed organisation, email is being used in diverse ways and for ...
  • An Indeterminate Archive for David Rokeby's Giver of Names 
    Muller Elizabeth; Jones Caitlin (University of Melbourne, 2009)
    This paper describes a new method developed by the authors for integrating experiential material into the documentation of media art works. It looks at the case study of David Rokeby's artwork Giver of Names, and explores ...