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Recent Submissions

  • Words and World 
    Macris Anthony (AAWP, 2008)
    One of the paradoxes of any artistic process is the transformation of the intensities of thought and sensation into the empirical fixities of form. For novelists, the sentence, paragraph and chapter are the standard textual ...
  • Can the Media take Criticism? 
    Manning Peter (Network Insight Institute, 2007)
    There is no doubt we journalists are a thin-skinned lot. The latest example is my friend George Negus in last week¿s Sydney Morning Herald TV Guide. SBS is under attack for increasing advertisements, lowering ratings and ...
  • From Audience to Inhabitant: Interaction as a medium in architecture 
    Jakovich Joanne; Beilharz Kirsty (Creativity and Cognition Studios Press, 2006)
    This paper presents a framework for conceiving and implementing interaction as a medium in architecture. Architecture is the theoretical and practical art of creating a plan of a complex object or system in which the ...
  • An Indeterminate Archive for David Rokeby's Giver of Names 
    Muller Elizabeth; Jones Caitlin (University of Melbourne, 2009)
    This paper describes a new method developed by the authors for integrating experiential material into the documentation of media art works. It looks at the case study of David Rokeby's artwork Giver of Names, and explores ...
  • Integrating Computational Generative Processes in Acoustic Music Composition 
    Beilharz Kirsty (UTS, 2005)
    Complex systems such as Cellular Automata (CA) produce global behaviour based ?n the ~nteractions of simple units (cells). Their evolution is specified by local mterection rules that generate some form of ordered, complex ...