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Australian creative non-fiction: Perspectives and opinions

Joseph Sue (ejournalist, 2011)

Figures confirm that Australians avidly read their creative non-fiction. But most would be unable to name the genre; it is not as widely defined or discussed in Australia as it is in the USA and UK, where it is actively ...
Recounting Traumatic Secrets: Empathy and the Literary Journalist

Joseph Sue (Routledge, 2011)

The journalism industry has only recently begun to embrace reflective practice in response to trauma in journalists, but it substantially ignores empathy. This article examines six narratives of trauma subjects from the ...
Dead but still/moving the slide show and documentary, a space between photography and cinema

Taylor Andrew (Australian Association of Writing Programs, 2011)

From magic lantern shows to PowerPoint presentations, the slide show has cast a long shadow on documentary film. In the 1880s the New York Police reporter, Jacob Riis, barnstormed America with magic lantern images of urban ...
'What's the Matter?': The Object in Australian Art History

Mcneil Peter (The Barber Institute of Fine Arts, The University of Birmingham, 2011)

In this paper I outline some of the historiographical issues that inflect the study of objects within Australian art history, firstly for the nineteenth century and then, more briefly, for the twentieth.
Scenario art as a decision-making tool to facilitate sustainable futures: The case for minerals and mining in Australia

Lederwasch Aleta (Common Ground Publishing, 2011)

Scenario Art (visual representations of a future scenario, used to enhance decision-making processes) is offered as a new tool to facilitate a transition to sustainable futures. The paper acknowledges recent evaluations ...

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