Browsing 08 Information and Computing Sciences by Author "Edmonds Ernest"

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  • Browsing 08 Information and Computing Sciences by Author

Browsing 08 Information and Computing Sciences by Author "Edmonds Ernest"

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  • The Actor and the Virtual World: Practice Based-Research as Innovation in Human-Computer Interaction 
    Danylak Roman; Edmonds Ernest (Australia CRC for Interaction Design, 2005)
    Multimodal Interaction has created exciting new opportunities for the future of HCI. Current interfaces are, however, becoming congested owing to the easy transformations of digitised information from one application ...
  • Art, Interaction and Engagement 
    Edmonds Ernest (IEEE, 2011)
    This paper reviews the development of frameworks for thinking and talking about interactive art in the context of my personal practice over the last forty years. It traces a number of paths taken, from an early simple ...
  • The Art of Interaction 
    Edmonds Ernest (Routledge, 2010)
    Interactive art has become much more common as a result of the many ways in which the computer and the Internet have facilitated it. Issues relating to human¿computer interaction (HCI) are as important to interactive art ...
  • The Art of Programming or Programs as Art 
    Edmonds Ernest (IOS Press, 2007)
  • AUXie: Initial Evaluation of a Blind-Accessible Virtual Museum Tour 
    Dulyan Aram; Edmonds Ernest (CHISIG, 2010)
    Remotely accessible audio-based virtual tours can offer great utility for blind or vision impaired persons, eliminating the difficulties posed by travel to unfamiliar locations, and allowing truly independent exploration. ...
  • Beyond abstract film: constructivist digital time 
    Edmonds Ernest (British Computer Society, 2010)
    The paper reviews aspects of abstract films and the notions of time that occur in them. A series of developments by the author in making various generative digital abstract, or concrete, works are described and compared ...
  • Cellular automata in generative electronic music and sonic art: a historical and technical review 
    Burraston David; Edmonds Ernest (Royal Society of Medicine Press Ltd, 2002)
  • Cellular Automata in MIDI based Computer Music 
    Burraston David; Edmonds Ernest; Livingston Dan; Miranda Eduardo Reck (International Computer Music Association, 2004)
  • Creative expertise and collaborative technology design 
    Candy Linda; Edmonds Ernest (Springer-Verlag, 2004)
    The paper is concerned with increasing our understanding of creative expertise drawing upon studies of collaboration between technologists and artists. The nature of expertise in collaborative creative work is discussed ...
  • Creativity support tools Report from a US National Science Foundation Sponsored Workshop 
    Shneiderman B; Fischer G; Czerwinski M; Resnick M; Myers B; Candy Linda; Edmonds Ernest; Eisenberg M; Giaccardi Elisa; Hewett Tom; Jennings Pamela; Kules Bill; Nakakoji Kumiyo; Nunamaker Jay; Pausch Mandy; Selker Ted; Sylvan Elisabeth; Terry Michael (Marine Biological Laboratory, 2005)
  • Designing a System for Supporting the Process of Making a Video Sequence 
    Amitani Shigeki; Edmonds Ernest (Springer, 2008)
    The aim of this research is to develop a system to support video artists. We have analysed the process of making a video sequence in collaboration with an experienced video artist so that design rationales of the system ...
  • Designing for Conversational Interaction 
    Johnston Andrew; Candy Linda; Edmonds Ernest (Carnegie Mellon University, 2009)
    In this paper we describe an interaction framework which classifies musicians¿ interactions with virtual musical instruments into three modes: instrumental, ornamental and conversational. We argue that conversational ...
  • Directed and Emergent Play 
    Costello Brigid; Edmonds Ernest (ACM Press, 2009)
    We describe a case study of the audience experience of an interactive artwork titled Just a Bit of Spin. This study was part of practice-based research project that aimed to develop strategies for designing for a play ...
  • Experience Workshops 
    Robertson Toni; Muller Elizabeth; Edmonds Ernest (ACID, 2006)
    This position statement describes a method called "Experience Workshops", developed by the authors for working with expert audiences in the design of an interactive artwork. Based around the participants' experience of ...
  • Generative Website: Visualising Possible Stories 
    Amitani Shigeki; Edmonds Ernest (Australasian CRC for Interaction Design, 2007)
  • A Grounded Theory Study of Programming in Artist Programmer Collaborations 
    Turner Gregory; Weakley Alastair; Zhang Yun; Edmonds Ernest (IOS Press, 2005)
  • Guidelines for Communication in Film Scoring 
    Phalip Julien; Edmonds Ernest (Australian Research Council HCSNet (Human Communication Science Network), 2007)
  • Interactive film and the multiplied self 
    Danylak Roman; Edmonds Ernest (Association for Computing Machinery, Inc, 2008)
    Interactive film, delivered by computational processes, collapses the self; the singular, personal identity to which we have become accustomed is challenged by the adoption of many selves, transforming our primary experience ...
  • An interface test-bed for 'kansei' filters using the touch designer virtual programmig environment 
    Berry Rodney; Naemura Masahide; Kobayashi Yuichi; Masahiro Tada; Naomi Inoue; Pisan Yusuf; Edmonds Ernest (Australian Computer Society, 2006)
    In the context of a larger project dealing with kansei analysis of movement, we present a basic method for applying real-time filters to human motion capture data in order to modify the perceived emotional affect of ...
  • Knowledge Nebula Crystallizer for Time-Based Information 
    Amitani Shigeki; Edmonds Ernest (ACM, 2005)
    In this paper, we are going to describe a system for managing and authoring time-based information artefact, as an implementation of Knowledge Nebula Crystallizer [9]. The design rationale of the system and its implementation ...