Architecture and the Urban as a Metaphor of Governance: Paolo Paruta and the Spatiality of Venice in the Late Sixteenth Century

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dc.contributor.author Luscombe Desley en_US
dc.contributor.editor Bartsch, K., Loo, S. en_US
dc.date.accessioned 2009-11-09T02:46:53Z
dc.date.available 2009-11-09T02:46:53Z
dc.date.issued 2007 en_US
dc.identifier 2007001585 en_US
dc.identifier.citation Luscombe Desley 2007, 'Architecture and the Urban as a Metaphor of Governance: Paolo Paruta and the Spatiality of Venice in the Late Sixteenth Century', SAHANZ, Adelaide, Australia, pp. 1-12. en_US
dc.identifier.issn 1-920927-55-7 en_US
dc.identifier.other E1 en_US
dc.identifier.uri http://hdl.handle.net/10453/2067
dc.description.abstract Vitruvius’ text, De architectura, described the practice of architecture and urban strategies for the late Roman Republic. Later use of the text and its messages, emerging with the growing impact of printing on specific changes in power relations associated with governance of cities, provided the opportunity for a politicized agenda to be incorporated to appease these differing contexts. It was during the Renaissance that Vitruvius and other antique authorities were employed in discourses on citizenry where architecture’s attributes were used to reinforce ideals of good governance in the emerging urbanity of city-states. This paper investigates Paolo Paruta’s Della perfettione della vita politica, a work of sixteenth-century political theory on the Venetian Republic, to examine how politically inspired uses of Vitruvius’ concepts supported the survival of Venice’s model of a republic. Paolo Paruta was to become Procuratore of San Marco in 1597. Fundamental to his validation of Venetian governance was Vitruvius’ representation of the body-of-state being reflected in the architectural make-up of the city. Paolo Paruta’s Della perfettione is a dialogue in which the relationship between the body politic of Venice and its embodied presence in the organization and representation of the city, are debated. In the first instance this paper establishes how Renaissance dialogue form could use the authority of Vitruvius to validate Venice’s patriarchal form of republic and its mirrored urbanity. In the second the paper evaluates Paruta’s text to show how Vitruvius’ ideas were made relevant to the Renaissance Venetian context. Finally, within the context of Venice’s architecture it explores how this new political agenda, which uses Vitruvius as its authority, was rationalized. en_US
dc.publisher SAHANZ en_US
dc.relation.isbasedon http://dx.doi.org/10.1007/978-3-540-71701-0_120 en_US
dc.title Architecture and the Urban as a Metaphor of Governance: Paolo Paruta and the Spatiality of Venice in the Late Sixteenth Century en_US
dc.parent Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory: XXIVth International Conference of the Society of Architectural Historians, Australia and New Zealand en_US
dc.journal.volume en_US
dc.journal.number en_US
dc.publocation Adelaide, Australia en_US
dc.identifier.startpage 1 en_US
dc.identifier.endpage 12 en_US
dc.cauo.name Executive en_US
dc.conference Panorama to Paradise: Scopic Regimes in Architectural and Urban History and Theory: XXIVth Annual Conference of the Society of Architectural Historians, Australia and New Zealand en_US
dc.conference.location Adelaide, Australia en_US


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