Tagged : a case study in documentary ethics

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dc.contributor.author Donovan, Kay Elizabeth
dc.date.accessioned 2008-11-27T04:07:29Z
dc.date.accessioned 2012-12-15T03:53:04Z
dc.date.available 2008-11-27T04:07:29Z
dc.date.available 2012-12-15T03:53:04Z
dc.date.issued 2008
dc.identifier.uri http://hdl.handle.net/2100/778
dc.identifier.uri http://hdl.handle.net/10453/20261
dc.description University of Technology Sydney. Faculty of Humanities and Social Sciences. en_AU
dc.description.abstract The growing concern about the role of ethics in western society has also touched documentary film-making. Yet, since the emergence in the late 1980s of the first journal articles discussing documentary ethics, the theoretical exploration of the key arguments in this field has been fitful. Debates amongst filmmakers about ethics are often immersed in topical discussions of production issues or issues relating to a few controversial films. With the exception of a few insightful works, there is little new analysis or examination devoted to exploring ethics in this discipline. This dissertation adds to the available body of work by examining in depth the ethics encountered in the production of a documentary film, Tagged, with young people, especially the ethics encoded in the aesthetic and discursive elements of the film. Theoretical discussions about ethics range from the analytical focus on the ethics of representation, through the use of subjective modes of expressivity and filmic techniques to epistemological analyses of specific issues such as privacy and the nature of consent that draw on legal and medical models. A study of relevant documentary films reveals the variety of approaches to the moral values reflected in their discourses and visual representations, and a range of authorial voices, heavily influenced by the relationship between filmmakers and subjects and by the production circumstances of each film. In Australia, broadcasters, funding bodies and production companies dominate the documentary film-making environment and their codes, editorial policies and protocols influence the whole sector of documentary filmmaking. By categorizing documentary within the broad scope of factual programming, they reflect an institutional gaze that fails to acknowledge those individuals including children and youth, who participate in its production. Through my examination of ethics in both the theory and practice, I address the relevant question of whether there should be a code of practice for documentary film-making. In focussing on my own ethical position and its translation into practice through the making of Tagged, I explore the ways in which the ethical stance that I established is pivotal to the documentary and represented both in the text and in the pragmatic choices of production. This led me to conclude that the development of an ethical position specific to a current project is an effective focus on the potential ethical conflicts in a production. From this I argue that while a broad code of conduct can provide valuable guidelines, it cannot replace the filmmakers’ investigation of their ethical practice and their establishment of an ethical statement and stance for their films thus creating a platform from which ethical conflicts can be understood and either avoided or resolved. en_AU
dc.language.iso en en_AU
dc.subject Ethics. en_AU
dc.subject Documentary films. en_AU
dc.subject Filmmakers. en_AU
dc.title Tagged : a case study in documentary ethics en_AU
dc.type Thesis (DCA) en_AU

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