Beyond the surface : the contemporary experience of the Italian Renaissance

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dc.contributor.author Duggan, Jo-Anne
dc.date.accessioned 2009-03-06T05:13:15Z
dc.date.accessioned 2012-12-15T03:52:08Z
dc.date.available 2009-03-06T05:13:15Z
dc.date.available 2012-12-15T03:52:08Z
dc.date.issued 2003
dc.identifier.uri http://hdl.handle.net/2100/822
dc.identifier.uri http://hdl.handle.net/10453/20107
dc.description University of Technology, Sydney. Faculty of Humanities and Social Sciences. en_AU
dc.description.abstract It is the intention of this Doctor of Creative Arts to convey the complexity of viewing art in museums. Concentrating on both the physical and cultural contexts of art, I focus specifically on Italian museums that house artworks of the Renaissance. I argue that the viewing experience in these museums is formed at the intersection of cultures, histories, the past and the present, art and the subjectivity of the viewer's own gaze. In this project the personal, physical, cerebral, sensorial and temporal experiences of art are central to my concerns. The structure of this DCA combines my photographic art practice with this written reflection. I work with both the visual and the textual to most appropriately and effectively express my concerns with the Renaissance and Italian museums. In a peculiar act of doubling, I am making art about the experience of viewing it, and through image-making I am able both to explore and to comment more profoundly on the experience of these museums. While my research and writing at times responds to these images, it also inspires them. Here I integrate the past, history and art, with contemporary theories that are relevant in the study ofvision and today's art viewing, and rely on numerous writers across the broad .fields of visual arts, art history and theory, museology, historiography and cultural tourism. In surveying these extensive interwoven disciplines I engage with the magnitude of the social, historical and theoretical studies that converge in the museum viewer's field of vision. Beyond the glorious artworks themselves Italian Renaissance museums exhibit a dense visual and historic culture that provides an enriched viewing environment. They paradoxically intersect 'high' art with a phenomenal popularity that appears ever-expanding through endless reproductions and representations via modern technologies. Through examining these museums with their multiple histories and contexts I hope to argue for a slower, more considered engagement with art, that encourages the viewer to experience the sensual as well as the intellectual aspects that this opulent environment offers. en_AU
dc.language.iso en en_AU
dc.subject Renaissance en_AU
dc.subject Italy en_AU
dc.subject Museums en_AU
dc.subject Senses and sensation in art en_AU
dc.title Beyond the surface : the contemporary experience of the Italian Renaissance en_AU
dc.type Thesis (DCA) en_AU


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