'What's the Matter?': The Object in Australian Art History

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dc.contributor.author Mcneil, Peter en_US
dc.contributor.editor en_US
dc.date.accessioned 2012-10-12T03:35:32Z
dc.date.available 2012-10-12T03:35:32Z
dc.date.issued 2011 en_US
dc.identifier 2011001767 en_US
dc.identifier.citation Mcneil Peter 2011, ''What's the Matter?': The Object in Australian Art History', The Barber Institute of Fine Arts, The University of Birmingham, vol. 1, no. 4, pp. 1-19. en_US
dc.identifier.issn 2042-4752 en_US
dc.identifier.other C1 en_US
dc.identifier.uri http://hdl.handle.net/10453/19029
dc.description.abstract In this paper I outline some of the historiographical issues that inflect the study of objects within Australian art history, firstly for the nineteenth century and then, more briefly, for the twentieth. en_US
dc.language en_US
dc.publisher The Barber Institute of Fine Arts, The University of Birmingham en_US
dc.title 'What's the Matter?': The Object in Australian Art History en_US
dc.parent Journal of Art Historiography en_US
dc.journal.volume 1 en_US
dc.journal.number 4 en_US
dc.publocation Birmingham en_US
dc.identifier.startpage 1 en_US
dc.identifier.endpage 19 en_US
dc.cauo.name DAB.School of Design en_US
dc.conference Verified OK en_US
dc.for 190100 en_US
dc.personcode 997374 en_US
dc.percentage 100 en_US
dc.classification.name Art Theory and Criticism en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom en_US
dc.date.activity en_US
dc.location.activity en_US
dc.description.keywords design historiography, material culture, history of collecting, national collections en_US
dc.staffid en_US
dc.staffid 997374 en_US


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