| dc.contributor.author | Van Leeuwen Theodoor | en_US |
| dc.contributor.editor | K.L.O'Halloran and B.A.Smith | en_US |
| dc.date.accessioned | 2012-10-12T03:32:26Z | |
| dc.date.available | 2012-10-12T03:32:26Z | |
| dc.date.issued | 2011 | en_US |
| dc.identifier | 2011002224 | en_US |
| dc.identifier.citation | Van Leeuwen Theodoor 2011, 'The semiotics of decoration', Routledge, London, pp. 115-131. | en_US |
| dc.identifier.issn | 978-0-415-88822-6 | en_US |
| dc.identifier.other | B1 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10453/17880 | |
| dc.description.abstract | In the eighteenth and nineteenth centuries, fuelled by the industrial revolution and the questions it raised about the difference between handmade and machine-made objects, were intense debates about the nature of decoration and its place relative to, on the one hand, non-decorated objects and on the other hand, the arts. | en_US |
| dc.language | en_US | |
| dc.publisher | Routledge | en_US |
| dc.relation.isbasedon | en_US | |
| dc.title | The semiotics of decoration | en_US |
| dc.parent | Multimodal Studies - Exploring Issues and Domains | en_US |
| dc.journal.volume | en_US | |
| dc.journal.number | en_US | |
| dc.publocation | London | en_US |
| dc.identifier.startpage | 115 | en_US |
| dc.identifier.endpage | 131 | en_US |
| dc.cauo.name | FASS.Faculty of Arts and Social Sciences | en_US |
| dc.conference | Verified OK | en_US |
| dc.for | 190500 | en_US |
| dc.personcode | 995217 | en_US |
| dc.percentage | 000100 | en_US |
| dc.classification.name | Visual Arts and Crafts | en_US |
| dc.classification.type | FOR-08 | en_US |
| dc.edition | 1 | en_US |
| dc.custom | en_US | |
| dc.date.activity | en_US | |
| dc.location.activity | en_US | |
| dc.description.keywords | industrial revolution, arts and crafts, decoration, semiotics | en_US |
| dc.staffid | en_US |