Art and Dress

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Show simple item record Mcneil, Peter en_US
dc.contributor.editor Skov, L. en_US 2012-02-02T11:13:36Z 2012-02-02T11:13:36Z 2010 en_US
dc.identifier 2010000314 en_US
dc.identifier.citation Mcneil Peter 2010, 'Art and Dress', Berg Encyclopedia of World Dress and Fashion, Volume 8: West Europe, Berg, Oxford and New York en_US
dc.identifier.issn 978-1-84788-397-1 en_US
dc.identifier.other B3 en_US
dc.description.abstract AAcademic art and popular dress emerge from different struc~ rural and intellectual systems. Nonetheless, fashion in the early twenty~first century often appears to be like art and art to be like fashion. Artists arc viewed as the ideal collaborators with fashion designers and the fashion industry, injecting the type of cultural capital they embody into products that have become synonymous with innovation and novelty. Artises throughout the twentieth century intervened in fashion culture, their antifash~ ion statements ranging from the oppositional critique of futur~ ism and vorticism to the stylish uniforms proposed and worn by contempoeary artist Andrea Zittel (1965-). en_US
dc.language en_US
dc.publisher Berg en_US
dc.relation.isbasedon NA en_US
dc.title Art and Dress en_US
dc.parent Berg Encyclopedia of World Dress and Fashion, Volume 8: West Europe en_US
dc.journal.volume en_US
dc.journal.number en_US
dc.publocation Oxford and New York en_US
dc.identifier.startpage 522 en_US
dc.identifier.endpage 527 en_US DAB.School of Design en_US
dc.conference Verified OK en_US
dc.for 120301 en_US
dc.personcode 997374 en_US
dc.percentage 100 en_US Design History and Theory en_US
dc.classification.type FOR-08 en_US
dc.edition 1 en_US
dc.custom en_US en_US
dc.location.activity en_US
dc.description.keywords NA en_US
dc.staffid en_US
dc.staffid 997374 en_US

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