Ambiguity Now

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dc.contributor.author Harrison, Martin en_US
dc.contributor.editor en_US
dc.date.accessioned 2012-02-02T11:05:45Z
dc.date.available 2012-02-02T11:05:45Z
dc.date.issued 2010 en_US
dc.identifier 2010003260 en_US
dc.identifier.citation Harrison Martin 2010, 'Ambiguity Now', Purdue University, vol. 12, no. 4, pp. 1-9. en_US
dc.identifier.issn 1481-4374 en_US
dc.identifier.other C1 en_US
dc.identifier.uri http://hdl.handle.net/10453/16053
dc.description.abstract In his article "Ambiguity Now" Martin Harrison focuses on the pivotal place which modernist critical theory ascribed to ambiguity in the definition of meaning and structure in poetry. In particular, Harrison considers the way in which the category of experience is deployed in the discourse of ambiguity but is limited to only certain narratives of so-called experience. Harrison argues for a contemporary practice less focused on ambiguity and more on notation and provisional structure, demonstrating key elements of such practice in the work of modern poets Leslie Scalapino and Frank Bidart and the poet-artist Alex Selenitsch. en_US
dc.language en_US
dc.publisher Purdue University en_US
dc.title Ambiguity Now en_US
dc.parent CLC Web: Comparative Literature and Culture en_US
dc.journal.volume 12 en_US
dc.journal.number 4 en_US
dc.publocation USA en_US
dc.identifier.startpage 1 en_US
dc.identifier.endpage 9 en_US
dc.cauo.name FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 190400 en_US
dc.personcode 870008 en_US
dc.percentage 100 en_US
dc.classification.name Performing Arts and Creative Writing en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom en_US
dc.date.activity en_US
dc.location.activity en_US
dc.description.keywords NA en_US
dc.staffid en_US
dc.staffid 870008 en_US


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