Changing Museum Environments: Global Articulations of the 'Video Text' (1968-1990)

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Show simple item record Manasseh, Cyrus en_US
dc.contributor.editor en_US 2012-02-02T11:05:15Z 2012-02-02T11:05:15Z 2007 en_US
dc.identifier 2010006427 en_US
dc.identifier.citation Manasseh Cyrus 2007, 'Changing Museum Environments: Global Articulations of the 'Video Text' (1968-1990)', Fine Arts Network, University of Melbourne, vol. -, no. 2, pp. 1-13. en_US
dc.identifier.issn 1835-6656 en_US
dc.identifier.other C1UNSUBMIT en_US
dc.description.abstract This article addresses how and why video art shaped the museum environment for the 21st century. The argument tracks a period of museological innovation between 1968 and 1990. Beginning with the Museum of Modern Art, New York, changes in architectural display and curatorial focus are then examined with respect to the Centre George Pompidou, Paris, the Tate Gallery, London and the Art Gallery of New South Wales in Sydney. This research reveals how video art's 'problematic' time-based presence and redefinition of normative spectator positions assisted in the development of modern museum environments suitable for constant modification. en_US
dc.language en_US
dc.publisher Fine Arts Network, University of Melbourne en_US
dc.title Changing Museum Environments: Global Articulations of the 'Video Text' (1968-1990) en_US
dc.parent electronic Melbourne art journal en_US
dc.journal.volume - en_US
dc.journal.number 2 en_US
dc.publocation Melbourne, Australia en_US
dc.identifier.startpage 1 en_US
dc.identifier.endpage 13 en_US DAB.School of Design en_US
dc.conference Verified OK en_US
dc.for 190100 en_US
dc.personcode 109457 en_US
dc.percentage 100 en_US Art Theory and Criticism en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom en_US en_US
dc.location.activity en_US
dc.description.keywords NA en_US
dc.staffid en_US
dc.staffid 109457 en_US

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