Re-imagining Milirrpum v Nabalco in Werner Herzog's Where the Green Ants Dream

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dc.contributor.author Hurley, Andrew en_US
dc.contributor.editor en_US
dc.contributor.editor Andrew T Kenyon, Peter D Rush and Alison Young en_US
dc.date.accessioned 2009-08-20T14:13:14Z
dc.date.available 2009-08-20T14:13:14Z
dc.date.issued 2006 en_US
dc.identifier 2006009513 en_US
dc.identifier.citation Hurley Andrew 2006, 'Re-imagining Milirrpum v Nabalco in Werner Herzog's Where the Green Ants Dream', School of Law; University of Melbourne, Melbourne, pp. 1-14. en_US
dc.identifier.issn en_US
dc.identifier.issn - en_US
dc.identifier.other E1UNSUBMIT en_US
dc.identifier.uri http://hdl.handle.net/10453/1438
dc.description.abstract In 1983, the German filmmaker Werner Herzog realised a decade-long ambition to create a film thematising the struggles of Aboriginal groups against mining companies operating in northern Australia. Where the Green Ants Dream (WGAD), was reviled by Australian pundits and also disappointed international critics. However, it raises important issues, not only about the creative appropriation of Aboriginal mythology, but also about the representation of Aboriginality and the struggle for Aboriginal land rights. This article reveals how Herzog relied heavily upon Milirrpum v Nabalco [1971] 17 FLR 141 in writing his film script. In doing so, he came up with a hybrid tenuously situated between documentary and feature film. What complicated this strategy was the fact that Herzog??whose unorthodox style often involves casting non-professional actors in important roles??also cast Wandjuk and Roy Marika, who had both been witnesses in Milirrpum v Nabalco, in lead roles. They were ultimately uncomfortable with reperforming a court-room sequence in which they had once participated in earnest. This article analyses Herzog?s mix of documentary and fiction, examines the reception of WGAD??both by white Australian critics and by Aboriginal Australians involved with the film??and argues that, while the film may be flawed, it is valuable because it threw (and continues to throw) disquieting yet important issues into perspective. en_US
dc.publisher School of Law; University of Melbourne en_US
dc.relation.isbasedon http://www.law.unimelb.edu.au/cmcl/seminars/Hurley%20passages%20paper.pdf en_US
dc.title Re-imagining Milirrpum v Nabalco in Werner Herzog's Where the Green Ants Dream en_US
dc.parent PASSAGES: law, aesthetics, politics en_US
dc.journal.volume en_US
dc.journal.number en_US
dc.publocation Melbourne en_US
dc.identifier.startpage 1 en_US
dc.identifier.endpage 14 en_US
dc.cauo.name FASS.Faculty of Arts and Social Sciences en_US
dc.conference en_US
dc.conference Verified OK en_US
dc.conference.location en_US
dc.for 200209 en_US
dc.personcode 102435 en_US
dc.percentage 100 en_US
dc.classification.name Multicultural, Intercultural and Cross-cultural Studies en_US
dc.classification.type FOR-08 en_US
dc.custom PASSAGES: law, aesthetics, politics en_US
dc.date.activity 20060801 en_US
dc.location.activity Melbourne en_US
dc.description.keywords NA en_US
dc.staffid 102435 en_US


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