Ruben Dario en Buenos Aires, 1893-1898: la genesis de un campo literario autonomo

UTSePress Research/Manakin Repository

Search UTSePress Research


Advanced Search

Browse

My Account

Show simple item record

dc.contributor.author Browitt, Jeffrey en_US
dc.contributor.editor V. Grinberg Pla & R. Roque Baldovinos en_US
dc.date.accessioned 2012-02-02T03:09:49Z
dc.date.available 2012-02-02T03:09:49Z
dc.date.issued 2009 en_US
dc.identifier 2007003107 en_US
dc.identifier.citation Browitt Jeffrey 2009, 'Ruben Dario en Buenos Aires, 1893-1898: la genesis de un campo literario autonomo', in NA (ed.), F&G Editores, Guatemala, Guatemala, pp. 59-84. en_US
dc.identifier.issn 978-99922-61-83-5 en_US
dc.identifier.other B1UNSUBMIT en_US
dc.identifier.uri http://hdl.handle.net/10453/14377
dc.description.abstract The years 1893 to 1898 when Ruben Dario lived in Buenos Aires represent a key period, not only in the life and work of Ruben Dario himself, but also in all of Latin American literature. Although it is always risky allocating an exact date to important historical movements and processes and converting individual figures into heroes, given them almost god-like qualities, there is no doubt that the presence of Dario in Buenos Aires in that period and his relations with Argentine cultural institutions was fundamental. Dario was not only a ?heroic? catalyst of the modernist revolution in the formal structure of Castilian prose and poetry, but also the genesis of ?an autonomous literary-artistic field? (in the sense in which Pierre Bourdieu (1996) uses the term); that is to say, the differentiation of literature into a relatively separated and professionalized field. This moment also becomes the moment of the institutionalization of intellectual autonomy, such as we understand it today and not as it was understood by the hommes de lettres of the nineteenth century when it was synonymous with, as it was in the case of the Uruguayan essayist Jose Enrique Rodo, with cultural independence from Spain.1 This essay, then, explores the conjunction of the arrival of Ruben Dario in Buenos Aires, the peak of Modernismo in the incipient cultural institutions of Buenos Aires and the professionalization of the literary writer. en_US
dc.language en_US
dc.publisher F&G Editores en_US
dc.relation.isbasedon NA en_US
dc.title Ruben Dario en Buenos Aires, 1893-1898: la genesis de un campo literario autonomo en_US
dc.parent Tensiones de la modernidad: del modernismo al realismo en_US
dc.journal.volume en_US
dc.journal.number en_US
dc.publocation Guatemala, Guatemala en_US
dc.identifier.startpage 59 en_US
dc.identifier.endpage 84 en_US
dc.cauo.name FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 200200 en_US
dc.personcode 040004 en_US
dc.percentage 100 en_US
dc.classification.name Cultural Studies en_US
dc.classification.type FOR-08 en_US
dc.edition 1 en_US
dc.custom en_US
dc.date.activity en_US
dc.location.activity en_US
dc.description.keywords NA en_US
dc.staffid en_US
dc.staffid 040004 en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record