Abstract:
As a model of creativeness and the creative processes involving an analogue generative system, reference
will be made to the eight-minute film Red+Green+Blue. Based on Notes made at, and shortly after, the time
of its production, the generative art emergent in the film will be evaluated in the light of recent discussion of
digital/binary-based mediums and how the generative system in the model was useful to the artistic
enterprise, the Sheepman & the Sheared film series. Evaluation of how the generative system employed in
Red+Green+Blue extended the experience of receiving the artwork will be described, concluding with an
outline of the issues of concept transfer from the analogue to the digital domain.
