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| dc.contributor.author | Johnston Andrew | en_US |
| dc.contributor.author | Amitani Shigeki | en_US |
| dc.contributor.author | Edmonds Ernest | en_US |
| dc.contributor.editor | en_US | |
| dc.date.accessioned | 2009-08-20T14:12:56Z | |
| dc.date.available | 2009-08-20T14:12:56Z | |
| dc.date.issued | 2005 | en_US |
| dc.identifier | 2005002391 | en_US |
| dc.identifier.citation | Johnston Andrew, Amitani Shigeki, and Edmonds Ernest 2005, 'Amplifying Reflective Thinking in musical Performance', ACM Press, New York, USA, pp. 166-175. | en_US |
| dc.identifier.issn | 1-59593-025-6 | en_US |
| dc.identifier.other | E1 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10453/1415 | |
| dc.description.abstract | In this paper we report on the development of tools that encourage both a creative and reflective approach to music-making and musical skill development. A theoretical approach to musical skill development is outlined and previous work in the area of music visualisation is discussed. In addition the characterisation of music performance as a type of design problem is discussed and the implications of this position for the design of tools for musicians are outlined. Prototype tools, the design of which is informed by the theories and previous work, are described and some preliminary evaluation of their effectiveness is discussed. Future directions are outlined. | en_US |
| dc.publisher | ACM Press | en_US |
| dc.relation.isbasedon | en_US | |
| dc.title | Amplifying Reflective Thinking in musical Performance | en_US |
| dc.parent | Creativity and Cognition Proceedings 2005 | en_US |
| dc.journal.volume | en_US | |
| dc.journal.number | en_US | |
| dc.publocation | New York, USA | en_US |
| dc.identifier.startpage | 166 | en_US |
| dc.identifier.endpage | 175 | en_US |
| dc.cauo.name | Information Technology | en_US |
| dc.conference | en_US | |
| dc.conference.location | en_US |
