Mapping Cultural Auracy: The Sonic Politics of The Day the Earth Stood Still

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dc.contributor.author Cranny-Francis, Anne en_US
dc.contributor.editor en_US
dc.date.accessioned 2011-02-07T06:28:06Z
dc.date.available 2011-02-07T06:28:06Z
dc.date.issued 2007 en_US
dc.identifier 2009008100 en_US
dc.identifier.citation Cranny-Francis Anne 2007, 'Mapping Cultural Auracy: The Sonic Politics of The Day the Earth Stood Still', Routledge, vol. 17, no. 1, pp. 87-110. en_US
dc.identifier.issn 1035-0330 en_US
dc.identifier.other C1UNSUBMIT en_US
dc.identifier.uri http://hdl.handle.net/10453/14122
dc.description.abstract Anna Kassabian writes in Hearing Film that 'classical Hollywood film music is a semiotic code, and that it can and should be subjected to various semiotic and cultural studies methods, such as discourse analysis and ideology critique? (p. 36). This paper examines the sound of a particular Hollywood film?the B-Grade 1950 science fiction ?classic? The Day the Earth Stood Still (1951)?in order to perform the kind of analysis Kassabian demands; but also to argue that the analysis needs to encompass not only music, but all sonic elements of the film. Furthermore, the paper argues for development of a cultural auracy that will complement studies of verbal and visual literacies in multimodal and multimedia texts en_US
dc.language en_US
dc.publisher Routledge en_US
dc.relation.hasversion Accepted manuscript version
dc.rights This is an Author's Accepted Manuscript of an article published in [include the complete citation information for the final version of the article as published in the Social Semiotics Volume 17, Issue 1, 2007 pages 87-110 2007 [copyright Taylor & Francis], available online at: http://www.tandfonline.com/ http://dx.doi.org/10.1080/10350330601124684
dc.title Mapping Cultural Auracy: The Sonic Politics of The Day the Earth Stood Still en_US
dc.parent Social Semiotics en_US
dc.journal.volume 17 en_US
dc.journal.number 1 en_US
dc.publocation UK en_US
dc.identifier.startpage 87 en_US
dc.identifier.endpage 110 en_US
dc.cauo.name FASS.Cultural Studies Group en_US
dc.cauo.name This is an Author's Accepted Manuscript of an article published in Social Semiotics Volume 17, Issue 1, 2007 pages 87-110 for the final version of the article as published in the Social Semiotics 2007 [copyright Taylor & Francis], available online at: http://www.tandfonline.com/ http://dx.doi.org/10.1080/10350330601124684
dc.conference Verified OK en_US
dc.for 200200 en_US
dc.personcode 107073 en_US
dc.percentage 100 en_US
dc.classification.name Cultural Studies en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom en_US
dc.date.activity en_US
dc.location.activity en_US
dc.description.keywords Auracy sound politics en_US
dc.staffid en_US
dc.staffid 107073 en_US


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