Why the Cybermen Stomp: Sound in the New Doctor Who

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dc.contributor.author Cranny-Francis, Anne en_US
dc.contributor.editor en_US
dc.date.accessioned 2011-02-07T06:27:59Z
dc.date.available 2011-02-07T06:27:59Z
dc.date.issued 2009 en_US
dc.identifier 2009006530 en_US
dc.identifier.citation Cranny-Francis Anne 2009, 'Why the Cybermen Stomp: Sound in the New Doctor Who', University of Manitoba, vol. 42, no. 2, pp. 119-134. en_US
dc.identifier.issn 0027-1276 en_US
dc.identifier.other C1UNSUBMIT en_US
dc.identifier.uri http://hdl.handle.net/10453/14110
dc.description.abstract This essay analyzes the meanings of sound in the Cyberman double episode of the BBC Television science-fiction series Doctor Who, "Rise of the Cybermen" and "Age of Steel." Arguing that all sound in a text contributes to its meanings, the essay focuses on relationships between humans and technology. en_US
dc.language en_US
dc.publisher University of Manitoba en_US
dc.relation.hasversion Accepted manuscript version
dc.relation.isbasedon https://wwwapps.cc.umanitoba.ca/publications/mosaic/
dc.title Why the Cybermen Stomp: Sound in the New Doctor Who en_US
dc.parent Mosaic - A Journal for the Interdisciplinary Study of Literature en_US
dc.journal.volume 42 en_US
dc.journal.number 2 en_US
dc.publocation Canada en_US
dc.identifier.startpage 119 en_US
dc.identifier.endpage 134 en_US
dc.cauo.name FASS.Faculty of Arts and Social Sciences en_US
dc.conference Verified OK en_US
dc.for 200200 en_US
dc.personcode 107073 en_US
dc.percentage 100 en_US
dc.classification.name Cultural Studies en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom en_US
dc.date.activity en_US
dc.location.activity en_US
dc.description.keywords NA en_US
dc.staffid en_US
dc.staffid 107073 en_US

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