Broadway One

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dc.contributor.author Edmonds, Ernest en_US
dc.contributor.author Fell, Mark en_US
dc.contributor.editor Gollifer, S.; en_US
dc.date.accessioned 2010-06-16T05:04:45Z
dc.date.available 2010-06-16T05:04:45Z
dc.date.issued 2004 en_US
dc.identifier 2006014055 en_US
dc.identifier.citation Edmonds Ernest and Fell Mark 2004, 'Broadway One', SIGGRAPH 2004 Electronic Art and Animation Catalogue, ACM Press, New York, USA en_US
dc.identifier.issn 1-58113-896-2 en_US
dc.identifier.other J1 en_US
dc.identifier.uri http://hdl.handle.net/10453/12310
dc.description.abstract ARTIST STATEMENT When we watch a film, we accept music as a natural part of the work. More generally, the sound track is recognised as a crucial element in the quality of the film in its total sense. However, at times the music is thought of as an accompaniment to the visual element, whereas it might alternatively be thought of as having equal weight and importance. By far the most interesting integration, however, is where the music and the visual element are equal so that, for example, one can see a visual display as one instrument in which other instruments, such as violins, happen to produce sound. The compo- sition of such work can begin either with the music or the visual or swap between them. Alternatively, it might begin from some more abstract description or notation that can be mapped into either sound or image. TECHNICAL STATEMENT The work is displayed on a wall-mounted plasma screen, with sound relayed over a small pair of audio monitors or headphones. It is a generative piece that is written using Max/MSP/Jitter software running on a Macintosh computer. This is a graphic programming environment for sound, image, and interaction, which provides an ideal system for exploring the correspondence between sound and image. In this work, which is part of a series, the artists and programmers use pre- defined colors that are specified as RGB values and two-dimensional bars specified as co-ordinates. These correspond to synthetic sounds that occupy temporal rather than spatial positions. en_US
dc.language Yes en_US
dc.publisher ACM Press en_US
dc.relation.isbasedon http://dx.doi.org/10.1145/1185884.1185908 en_US
dc.title Broadway One en_US
dc.parent SIGGRAPH 2004 Electronic Art and Animation Catalogue en_US
dc.journal.volume en_US
dc.journal.number en_US
dc.publocation New York, USA en_US
dc.identifier.startpage 30 en_US
dc.identifier.endpage 30 en_US
dc.cauo.name FEIT.A/DRsch Ctre for Human Centred Technology Design en_US
dc.conference Verified OK en_US
dc.for 190203 en_US
dc.personcode 021076 en_US
dc.personcode 0000034941 en_US
dc.percentage 100 en_US
dc.classification.name Electronic Media Art en_US
dc.classification.type FOR-08 en_US
dc.edition en_US
dc.custom SIGGRAPH 2004 en_US
dc.date.activity 20040808 en_US
dc.location.activity Los Angelos, California en_US
dc.description.keywords NA en_US


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